Fire of Love

Directed by: Sara DosaFire of Love

Written by: Shane Boris, Erin Casper, Jocelyne Chaput, Sara Dosa

Produced by: Shane Boris, Sara Dosa, Ina Fichman

Executive Producers: Carolyn Bernstein, Greg Baustead, ben Braun, Josh Braun, Jessica Harrop

Narrated by: Miranda July

Archive Footage: Katia Krafft, Maurice Krafft.

Maurice and Katia met in 1966.

The story goes, ‘The café closes.  It begins to rain.  They will never leave each other.’

Fire of Love is a documentary about two people who found each other, who shared the same passion: volcanoes.

Maurice a geologist and Katia a chemist, both are fascinated by the same phenomena in their own unique way.  The relationship of the couple and their relationship to the volcano is the driving force of the documentary, shown with care, attention to detail, turning the footage taken by the couple, Maurice recording video, Katia always with her camera, into a poetry.

Narrated by Miranda July, the story of the lives of Katia and Maurice is told with shots from above a coffee cup, the coffee disappearing to illustrate the time when they met, the conversation, the beginning of their shared obsession.

Paper lithography of mountains growing out of the earth change the texture of the documentary and are used to show the movement of the tectonic plates beneath, along with split screen of nature shots by Katia so there’s this constant flow of imagery as the audience gets to know the couple while they document and educate the world about the volcano.

This is a beautifully crafted documentary using video footage and images captured by the volconists as they travel the world, chasing the volcanoes as they erupt.  It’s mind-blowing to see humans standing in front of such a force of nature as the heat from the centre of the earth melts rock so it spews into the sky and runs like a river, destroying everything in its path.  And there they stand, in silver suits, awe struck.  Obsessed.  Nothing could be better than being right there as a volcano erupts.

The relationship of the pair is a running thread through the doco, but it’s also about the science, their exploration and documentation of what was still a mystery.

Their passion to chase erupting volcanoes from: Iceland, Indonesia, Italy, Hawaii, Zaire in Africa, Colombia in South America, Japan, was at the same time as the tectonic plates of the earth were being mapped.

They were mesmerised by the ‘red’ volcanoes as they stood before exploding showers of red rock, revelling in how small humans are in the face of such heat and power.

There’s a philosophy at play here, to understand what makes two people put themselves in danger, in front of such force, knowing that at any moment they could fall or miscalculate.

Their curiosity was stronger than their fear.

They go on the interview circuit, captivating the world with their stories of standing in front of such danger.  Maurice explaining in one interview that he didn’t want volcanoes to be categorized, going as far as saying classification is abusive.  He wanted each volcano to be seen as unique.

But after witnessing the devastation of 25 thousand lives lost after an eruption in Colombia (despite scientists warning of the potential eruption), their focus shifts from the ‘red’ volcano to the ‘grey’, named after the ash from these killer volcanoes, to better understand the danger, to try to predict an eruption to warn people, to save lives.

Fire of Love is a fascinating documentary that’s both exciting and poetic, romantic and philosophical.

A truly unique experience that I enjoyed from the start to its poignant finish.

 

Nope

Rated: MNope

Written, Produced and Directed by: Jordan Peele

Also Produced by: Ian Cooper p.g.a.

Executive Produced by: Robert Graf, Win Rosenfeld

Starring: Daniel Kaluuya, Keke Palmer, Steven Yeun, Michael Wincott, Brandon Perea, Keith David.

‘What’s a bad miracle?’

Nope is the third movie Jordan Peele has directed (among many others he has written), and I had high expectations after enjoying, Get Out (2017) and Us (2019).

Peele has a certain off-kilter vision in his films that translates here, opening with a monkey on a TV set, covered in blood.

I didn’t know what I was walking into with, Nope, producer Ian Cooper explaining the intention to withhold from giving away too much away in the trailers.  All that was clear was the title, Nope, which I thought was perhaps a wry push too far but the humour here is spot on.

Cooper goes on to explain that Jordan was originally thinking of, ‘Little Green Men’ for the title, hinting at, “The idea of the quest for fame and fortune, and the quest for documenting existence of life beyond Earth,” Cooper says. “The double entendre of ‘Little Green Men’ was a way in which you could talk about dollar bills as well as talk about aliens and the unknown.”

As always with Jordan, the concept of, Nope is unique.

Inheriting the horse ranch from their father, Otis Haywood Sr. (Keith David), OJ (Daniel Kaluuya) and sister Emerald (Keke Palmer) attempt to continue the legacy as horse wranglers for film and TV.

Living on a ranch, far out in the Sant Clarita Valley in Southern California, the sky is endless, the expanse filled with clouds and something otherworldly lurking within.

The film has a western feel with OJ selling horses to child star, come cowboy-themed fair owner, Ricky ‘Jupe’ Park (Steven Yeun), crossed with the family drama of the reserved, OJ and his larger-than-life sister, Emerald – the people person of the partnership – crossed with a sci-fi with an alien creature causing electrical black-outs before sucking up whatever happens to be looking up into its guts.

The horror aspect of the film the sound of screams from the sky when the power cuts out.

It’s not an in-your-face horror here, more an unsettled feeling built with the soundtrack but also with the strangeness of the film.

It’s a confusing beginning and continues with random threads brought into the storyline that don’t always make sense in the general narrative of the film.  There is some structure with chapters named after the horses featured in the film.  But otherwise the threads are left to spool with not all coming full circle, well, not quite.

The cinematographer character, Antlers Holst (Michael Wincott) brought to the ranch to help capture what’s lurking in the sky comments, ‘That’s the dream I never wake up from.’  It sounds cool.  But doesn’t quite have enough weight in the end to stand up straight.  Again, adding to the slight disconcerting tilt to the film.

The wonder I had about the humour being pushed too far with the title, Nope was however, unfounded.  Daniel Kaluuya as the steady and reserved horse wrangler gives the word ‘nope’ a weight that just tickles.  Again, Kaluuya is well-cast and obviously a favourite of Peele’s because he brings it every single time.

All the characters in, Nope are well-cast, Angel (Brandon Perea) the Fry’s Electronics IT expert adds another layer of humour as he misses his girlfriend while ingratiating himself into the plot of the film because he’s slowly losing the plot with his life and needs to be involved.

It’s an entertaining film.  A strange slightly off-kilter film where Jordan has juxtaposed sci-fi, (some) horror, family drama and western that comes together as something funny and unique.  I just couldn’t quite get on board with the why of it.  Still, a fun ride.

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