Category: Action

Fantastic Beasts and Where to Find Them

Rated: MFantastic Beasts and Where to Find Them

Director: David Yates

Script Written By: J. K. Rowling

Starring: Eddie Redmayne, Katherine Waterston, Alison Sudol, Dan, Fogler, Colin Farrell, Samantha Morton, Ezra Miller, Jenn Murray, Faith Wood-Blagrove, Jon Voight, Ronan Raftery; Josh Cowdery.

‘Worrying means you suffer twice,’ says Magizoologist Newt Scamander (Eddie Redmayne).  Which is another way of saying, Why worry, when there’s no point.  If something bad is going to happen, suffer through it once, not twice!  What a gorgeous way of treating life, the sentiment setting the tone of the film.

Fantastic Beasts and Where to Find Them is J. K. Rowling’s debut as a screenwriter.  The inspiration from the Hogwarts textbook of the same name, written by her character, Newt Scamander.

It’s difficult not to compare Fantastic Beasts and the previous Harry Potter films as there’s a similarity in vision; not only writer, Rowling, being the creator of both worlds but David Yates returning after directing the previous 4 ‘Harry Potter’ films.

But this is America, not England.  There’s a new language where Muggles are now called No-Maj (humans without magic).   Where the American’s have the Second Salemers – fanatical No-Maj’s who want to get rid of wizardry for good.

Terrified of exposure, Director of Magical Security at MACUSA (Magical Congress of the USA), Percival Graves (Colin Farrell) makes short work of anyone who threatens the fragile hidden world of magic.  Until Newt arrives with his suitcase full of fantastic beasts.

Instead of Harry Potter and his young friends battling their way into adulthood, with an exploration into all the dark corners of life in magic and life as neglected children, we have adults running through 1920s New York trying to re-capture cute magical creatures.  Instead of a darker adult outlook, I found Fantastic Beasts to be more childish in its tone.

There was a lack of depth, the feeling of a beginning, a building of a story rather than a whole which was disappointing after the Harry Potter introduction of J. K. Rowling’s magical world.

But what lacked in story was somewhat off-set by the magical creatures, the Niffler, reminding me of a platypus with a keen eye for all that glitters and all that’s gold.

I couldn’t help but grin and giggle at the behaviour of these creatures, and that brings me back to the childish tone of the film.

Eddie Redmayne as the protagonist, Newt, was likeable and I could relate to his awkwardness, which was essential as I felt if you liked Newt, you liked the film.

But I admit I wanted more from this film, from this story.

The characters were likeable, the creatures adorable, but the story didn’t have that darkness that make the Harry Potter films such a surprise.

Fantastic Beasts is a M-rated film that I’d take my nephews to watch for some fun entertainment.  Which doesn’t make it a bad film just not thought-provoking.  The Harry Potter films were an adaptation with more thought to the themes like good versus evil and all the inbetween.  Whereas Fantastic Beasts felt more like a glossing over of the story.

I’m expecting a series here.  A series that will get deeper and darker as the story progresses.

 

The Accountant

Rated: MA 15+The Accountant

Directed by: Gavin O’Connor

Screenplay: Bill Dubuque

Starring: Ben Affleck, Anna Kendrick, J. K. Simmons, Jon Bernthal, Jean Smart, Cynthia Addai-Robinson, Jeffrey Tambor and John Lithgow.

Based on a screenplay written by Bill Dubuque, The Accountant is one complicated, cracker of a story: flash backs, fight scenes, number crunching montages, loud shots from military grade riffles to the quiet of an accounting office to the chink of cutlery in a jail cafeteria; wry humour, Crime Enforcement agents to stone cold killers to the dynamics family.  All combined with the overriding discussion of autism.

There was so much going on it was hard to keep a handle on all the threads.

On the one hand, this is a character driven story about family and autism; on the other, The Accountant is an action-packed crime thriller.

Chris Wolff (Ben Affleck) is an accountant, but not your everyday H&R Block style, CPA certified accountant – Chris is a high functioning autistic who’s a savant when it comes to numbers.  He also works for drug dealers and assassins; criminals who call in a guy who’s clean and can uncook their books to find any missing money.

With heat coming from the Treasury Department’s Crime Enforcement Division, Chris needs an above-board job.  He needs to get under the radar.  So when a job to find missing funds from a robotics company comes up, his handler sends him to meet Lamar Black (John Lithgow).  But there’s more going here than the ordinary.  And Chris shows himself to be more than an accounting whiz – he’s an autistic action hero.

I was pleasantly surprised by the attention to sensory detail: colours of paintings, an eye disappearing through a crack in a door that’s slowly closing; flashes of light and loud music…

Epileptics with a photic sensitivity be warned: the flashing light is bright and about 3Hz – a dangerous but effective addition to the film.  But yeah, there should be a warning here!

So, the sensors were certainly entertained and the association with autism and the effect of sensory stimulation on the character were cleverly worked into the story.  What I did miss was Ben Affleck’s cheeky grin.  There’s a deadpan humour that works well, but the constant blank face of Chris felt a bit forced.  People with autism do smile.

I really wanted to love this film as I’m always looking for that thriller that surprises, giving so much more than expected.  And although complicated, director Gavin O’Connor did tie the whole story neatly together, but the main character, Chris, was just too incongruent at times.

A strong performance from J.K. Simmons helped pull the story together, but aspects of the film just didn’t quite fit.  Putting such emphasis on The Accountant having autism was dangerous territory and requires getting it right.  And some aspects of the character grated as they didn’t feel authentic.

I don’t want to give too much away as there’s a lot going here and this is a great story with an interesting message, but getting all the moving parts right felt like a stretch.  Everything was there from story to characters to time spent on delivery.  And I know it sounds like I’m bagging this film but I’m being harsh because I love a good crime/thriller.

As a series, The Accountant would have been perfection.  As is, a cracker of a story that’s so close but not quite for me.

And a grin from Chris would have gone a long way.

Deepwater Horizon

Action/Drama           Rated: MDeepwater Horizon

Director: Peter Berg

Screenplay: Matthew Michael Carnahan and Matthew Sand

Screen Story: Matthew Sand

Starring: Mark Wahlberg, Kurt Russell, John Malkovich, Gina Rodriguez, Dylan O’Brien and Kate Hudson.

Based on the article written by David Barstow, David Rohde and Stephani Saul: ‘Deepwater Horizon’s Final Hours’, Deepwater Horizon is about one of the largest man-made disasters to have ever occurred.

Ultra-deep-water drilling off the coast of Louisiana, the rig suffered a massive blowout after pressure caused oil to explode up the pipeline.  The oil then caught fire destroying the rig.  The disaster killed 11 people and leaked 50,000 barrels of oil into the ocean for 87 days.

Deepwater Horizon is about putting the audience in the midst of the disaster, about pressure from the depths hard to fathom.  In fact, the whole scenario is difficult to get my head around because I’m not an engineer nor a deep sea drilling technician that understands drilling and pressure and the forces of rotting dinosaurs from a previous millennia.  And there isn’t a requirement to have this knowledge as the film shows the staff, doing what they do, without dumbing it down for the audience.

The story is shown in a way where you get it.  That the mud is used to contain the pressure of the oil, so that if it’s oozing up the pipes onto the rig, that’s a bad thing: the mud isn’t stopping the pressure.  And if that dial goes to a psi in the red area of the dial, that’s a very bad thing.

That’s what I liked about the film.  Being right there with the people working on this monstrous rig.

Mark Wahlberg as the Transocean chief electronics technician, Mike Williams, gives a great performance as an everyday guy doing his job.  And Kate Hudson as the wife waiting at home keeps the cheese to a minimum – it’s all about down-to-earth folk just dealing with it.

Wahlberg and director, Peter Berg, have worked together previously in the film, Lone Survivor.  Another survival story about making tough decisions. Berg doesn’t use cheap tricks to tug the heart strings, he just tells a tale with an authentic flavour and Wahlberg plays the no-nonsense hero well.  And the simplicity and straight forward telling of Deepwater Horizon gave the story more impact and power.  It was left to the audience to feel the emotion.

I love a good techy film and Deepwater Horizon filled the bill with great camera work to show the scale undertaken to drill into the depths of the ocean; and the explosion and visual spectacle of the disaster was totally believable on screen.

There was a glossing over of the politics of dealing with BP, but covered by the interaction between Donald Vidrine, the BP company man played by John Malkovich (he plays a villain just so well) and Kurt Russell as Mr. Jimmy who was the offshore installation manager.

Rather than the politics or emotional drama, Deepwater Horizon was more about the confrontation of the disaster itself.  And I liked that.

NERVE

Rated: MNerve

Directed by: Henry Joost & Ariel Schulman

Screenplay by: Jessica Sharzer

Based on the novel by: Jeanne Ryan

Starring: Emma Roberts, Dave Franco, Emily Meade, Miles Heizer, Colson Baker, Kimiko Glenn, Marc John Jefferies, Brian Marc, Samira Wiley and Juliette Lewis.

NERVE is a thrill ride with directors Henry Joost and Ariel Schulman putting the audience in the middle of the action.  Shot in New York, the camera work and streetscapes made the film more entertaining and better than expected.

Vee (Emma Roberts) is living in the shadow of her best buddy, Sydney (Emily Meade).  Always the cautious, wilting violet, Vee is terrified of putting a step wrong until she’s had enough of being a loser in love and life.

Sydney, being the dare devil, has managed to make it to the Top 10 of a new online game, NERVE, where the Players earn money and fame by completing dares given by the Watches.

And Vee, sick of towing the line, feels a wave of reckless youth and takes the plunge into the world of being a Player.

Knowing that she’s pushing her limits but finding a part of herself that she likes, Vee meets the hunky Ian (Dave Franco).  Loving the couple, the Watches dare the partnership on more challenging dares until the dare becomes a sinister reflection of mob mentality – where being anonymous allows behaviour that borders then becomes that of a sociopath.

It’s all about the moment recorded via the Watches’ camera phones; information about the Players taken from social media and everything available online: purchases made, banking details.  The film highlights how much information is available and how easy it is to take over a person’s life via the internet.

NERVE makes the point it’s no longer Big Brother we need to be afraid of, it’s us who are recording and sharing with each other.

Based on a young adult novel written by Jeanne Ryan, teens living adolescent lives leads to the expected awkward moments of unrequited love and the usual we’re-best-friends behaviour.  Thankfully, I was happily absorbed into the action of the online game rather than the film dwelling on the drama.

The character Vee had cringe-worthy moments, but only a few.  And the adolescent aspect was overcome by the creative camera work; where the audience was taken along for the ride.

NERVE was a lot of fun but I found it hard to take seriously when the story turned into the realm of giving a lesson.

Tapping into the teen angst of wanting to break free was still present and this was shown with unexpected edge.  I enjoyed the ride but the attempt at depth gave the film more meat not more meaning: we’ve already heard about the dangers of social media, right?

But drawing the audience into the world of NERVE and being given the feeling of taking those dares along with the characters made a suspenseful and entertaining film.

Suicide Squad

Rated: MSuicide Squad

Director: David Ayer

Writer: David Ayer

Starring: Will Smith, Jimenez Fitzsimons, Ike Barinholtz, Margot Robbie, Jared Leto, Cara Delevingne, Jai Caurtney, Joel Kimaman, Adewale Akinnuoge-Agbaje, Viola Davis, Ben Affleck, James McGowan, Jim Parrack, Ezra Miller; Jay Hernandez.

With such a huge amount of hype my expectations were duly high for Suicide Squad.

Was I impressed?

It comes down to the entertainment factor for me. Without a doubt, I was entertained.

Suicide Squad is an inverse to the usual superhero movie, where the bad guys are good and the humans, particularly Amanda Waller (Viola Davis), have become the devil incarnate to keep the human race feeling safe.

It’s a time of fear where mere mortals are faced with the idea of being over-powered. What would happen if Superman decided to take the President and drop him from the sky? No one would have been able to stop him.

To protect the human race, Amanda Waller puts together a squad of super-villains. Those with superpower but those locked away for being, well, bad. And now an Enchantress (Cara Delevingne), a genie let out of the proverbial bottle, has come to take over the world.

There are a lot of big names here, the stand outs for me: Margot Robbie as Harley Quinn and Will Smith as Deadshot. I’m not always a fan of the Smith, but he played Deadshot well, managing to give the character warmth and depth.  There’s also a chemistry between Margot Robbie and Will Smith that works and appears genuine on film.

I have to say I was let down by the Joker (Jared Leto) after so much hype. The Joker in a film full of big characters felt crowded, but the twisted love story with Harley Quinn was a nice twist to the usual superhero love story.

The editing was conducted so even a second was counted.  A couple of jolts at the beginning and the rest of the film was seamless.  To fit so much and still give air to the story and characters, director and writer David Ayer is to be commended. And the rock’n soundtrack gave a great pace to the film.

A few gaps have to mentioned. If you don’t have prior knowledge of Suicide Squad or included characters, some of the backstory was a bit thin.  How a psychiatrist becomes a marital arts expert because she’s suddenly crazy was a stretch. And I would have liked more heart from Katana.  But more backstory of some characters would have meant cutting others.

Suicide Squad isn’t just a superhero movie, there are elements of fantasy (which I thoroughly enjoyed) put together with fun characters, a great soundtrack and a story held together enough for the film to be entertaining.

 

 

 

 

 

 

 

 

 

Star Trek Beyond

 

Director: Justin LinStar Trek Beyond

Story By: Gene Roddenberry

Screenplay: Simon Pegs, Doug Jung.

Cast: Chris Pine, Zachary Quinto, Karl Urban, Zoe Saldana, Simon Pegg, John Cho, Anton Yelchin, Idris Elba; Sofia Boutella.

There’s always a moral to a Star Trek story, and this time in, Star Trek Beyond, Captain James T. Kirk (Chris Pine) is having a midlife crisis.

He’s been lost in space for too long and doesn’t know what he wants anymore.  He’s made the memory of his father proud; he’s the captain of the Enterprise.  But where do the steps towards his father end? And where does Kirk begin?

That’s what I like about the Star Trek franchise.  I like the characters and seeing how they deal with their struggles in life.

Interesting that Beyond is the third in the trilogy of the Re-boot series (the 13th Star Trek film) now coming to maturity, just like Capt. Kirk.

As always, there’s the difference in characters’ personality and culture.  I love Scotty the Scotsman and am really getting into the reluctant Dr. ‘Bones’ McCoy (Karl Urban), the southern doctor.  And not just because he’s handsome, Bones makes me laugh.

And there’s always the running theme of unity, which is mostly what the Star Trek films are about.  The difference of the crew members and the strength of working together.

So yes, there’s a formula in the writing here, in the themes written for Star Trek, but that’s why we dig it, yeah?

What was new is the addition of the character, Jaylah (Sofia Boutella) who looks to be a permanent fixture in future films.

And the visual effects just keep getting better with each Star Trek adventure.  See Ian Failes article for Inverse here: how-star-trek-changed-visual-effects-history.

Director Justin Lin has brought Peter Chiang on board to take a more scientific approach to the visual effects.  The realistic VFX (visual effects created by processes in which imagery is created and/or manipulated outside the context of a live action shot) go beyond (ha, ha) all expectation.

There are some amazing perspectives here that on the big screen kicked in my vertigo, so yeah, the visual effects are amazing.

I have to mention the sadness felt when realising I’ll never see Anton Yelchin as Chekov again.  See article about his passing here.  I’ll miss the innocence (although not as innocent with the ladies in, Beyond) and the genius Anton managed to give to the character, Chekov…

A few asides from crusty Bones, tracks to get the blood pumping and the feeling of being on a roller coaster, Star Trek Beyond adds up to a well-packaged, entertaining film.

The Nice Guys

Director: Shane BlackThe Nice Guys

Writers: Shane Black; Anthony Bagarozzi

Cast: Russell Crowe, Ryan Gosling, Angourie Rice, Matt Bomer, Margaret Qualley, Yaya Dalosta, Keith David, Lois Smith; Kim Basinger.

Harking back to the funky-soul disco era of the 1970s, The Nice Guys is a private detective, who-done-it comedy, with a bit of action on the side.

The scene is set when Misty Mountains (yes, her name referring to her boobs) comes to a dramatic end – assets revealed in life but covered in death, because hey, she’s human and this is a classy film.

Now, Amelia Kuttner (Margaret Qualley) is being followed.  She hires Jackson Healy (Russell Crowe), muscle who is paid to deter those, well, who need deterring.  His line of enquiry leading to Holland March (Ryan Gosling), a private detective also on the case.

Delving into the world of ’70s pornography, dirty deeds are uncovered circling closer and closer to those targeting Amelia.

A classic storyline, yet, it’s the characters Healy, March and March’s daughter, Holly (Angourie Rice) who are the focus of the film.  And the success of the film comes from the perfect casting of Gosling alongside Crowe.

It’s a pleasure to see Gosling playing a light-hearted character after all his seriousness in the past (Half Nelson (2006), The Ides of March (2011), The Place Beyond the Pines (2012) and more recently, The Big Short (2015)).  Gosling’s character, March, is a funny bastard.  Either he’s a natural comic or director Shane Black deserves a tremendous amount of credit as March was the highlight of the film for me.

Russell playing, Healy: as always the steadfast meat-head with a heart of gold.

The two characters had a great chemistry, like the small dog yapping at the big.  I wondered if there was a genuine annoyance from Russell Crowe regarding Gosling.  But with a clever script, there were many moments for laughter.

Add the background scenery of horses get-up as unicorns, protesters playing dead in gas masks and some well-placed action (I was about to get bored near the end until the action kicked in); you’ve got an entertaining film.  I’m still grinning about March falling, yet again, and somehow surviving.

But, honestly, there wasn’t a lot of depth here.

There were definite moments of wit and cleverness but the story barely held together at the end.  The action got ramped up so I forgave the fading narrative.  It depends on what mood you’re in.

If you’re looking for a, who-done-it with wit and action, this is a great film.

[amazon_link asins=’B01FV2BBF4,B01M7ST42S,B01F5ZY596′ template=’ProductGrid’ store=’gomoviereview-20′ marketplace=’US’ link_id=’b29d0b91-ec1e-11e7-a9e6-e171ce8513c4′]

https://www.youtube.com/watch?v=z-_HQ0bUzS8

Captain America: Civil War

Directed by: Anthony Russo, Joe RussoCaptain America Civil War

Screenplay by: Christopher Markus, Stephen McFeely

Based on: Captain America by Joe Simon, Jack Kirby

Starring: Chris Evans, Robert Downey Jr., Scarlett Johansson, Sebastian Stan, Anthony Mackie, Don Cheadle, Chadwick Boseman, Elizabeth Olsen, Paul Bettany, Jeremy Renner, Paul Rudd, Emily VanCamp, Tom Holland, Frank Grillo, William Hurt; Daniel Brühl.

With no expectation going in, I was pleasantly surprised by gutsy action and a well-thought out storyline.  And yes, I’m just going to say it, Captain America: Civil War was heart-warming.

To be honest, the Captain America character has never appealed to me.  As Tony Stark/Iron Man (Robert Downey Jr.) says, ‘Sometimes, I just want to punch you in your perfect teeth’.

However, the film celebrates difference of opinion and differing values and cultures and that’s a definite positive of this film.

Civil War is about friendship and the difficulty in accepting differences between friends.  Who’s to say they’re right and who is wrong?  People have their reasons whether it be loyalty, the idea of doing the right thing, of looking after the little guy; and then there’s the bad manipulating the good.

The huge number of strong characters could have led to confusion, but the well-paced storyline gave every character their point and time in the spotlight.

I liked the addition of the cat-man, Black Panther (Chadwick Boseman).  And the threat of cheesiness was nicely averted with humour; the characters able to make fun of themselves and each other, particularly Iron Man and Ant-Man (Scott Lang) – just hilarious!

I admit I was a little confused at times regarding the history of the characters and how they came to fight together, which means I need to go back and re-watch some of the previous films.  And that’s a lot of watching.  Civil War is the third in the series of Captain America.  And then you have Avengers (2012) and Avengers: Age of Ultron (2015).  Plus there’s all the Iron Man series and of course the films casting all the other characters…  So there wasn’t really anything new here, either.

But when I find I’m entertained at the beginning, the middle and the end, I say that’s a good movie.

 

London Has Fallen

Rated: MA15+London Has Fallen

Directed by: Babak Najafi

Screenplay by: Creighton Rothenberger, Katrin Benedikt, Chad St. John, Christian Gudegast

Story by: Creighton Rothenberger, Katrin Benedikt

Starring: Gerard Butler, Aaron Eckhart, Morgan Freeman, Alan Moni Aboutboul, Angela Bassett, Robert Forster, Melissa Leo and Radha Mitchell.

A sequel to the 2013 film, Olympus Has Fallen, London Has fallen is an action thriller that was better and bloodier than expected.

Obligated to attend the state funeral of the British Prime Minister, the President of the United States (Aaron Eckhart), along with the majority of the world’s leaders, come under attack by the Pakistani terrorist and arms dealer, Aamir Barkawi (Alan Moni Aboutboul).

Gerard Butler playing the secret service agent, Mike Banning, isn’t my favourite action man.  And the chemistry between Mike and his wife Leah (Aussie actress, Radha Mitchell) was strained if not painful to watch.  But there were glimmers of a personality under all that strutting – ‘I don’t know about you but I’m thirsty as fuck,’ being one of the very few human moments.  He’s a man made of, ‘Bourbon and bad decisions’.  But yeah, some of the dialogue was pretty bad.

This is a big budget film with buildings blown up, the Chelsea Bridge disintegrating and the top of Westminster Abby toppling to the streets of London.  If it wasn’t for the seeming required cheese that these ‘American President versus Terrorist’ movies always seem to require, this would have been a very good film.

I like my thrillers and there was plenty of action here – car chases and machine guns popping like fireworks.  There were moments reminiscent of an Army Action kill ‘em all PlayStation game.  Good stuff!

Having the Brits on board only helped balance the typical cheese of the American style, one-sided ideal of the live and die mantra for the American Dream.  Even with Morgan Freeman’s baritone, some of the dialogue was hard to swallow.

The screening of the movie is timely with the recent terrorist attacks on Brussels.  A very sad day.  And some politics are discussed here.  The required need to continue the fight against terror rather than do nothing.  To engage the world.  The fact America has been under attack for centuries and that they will remain.  It is frightening, this terror business, this blowing up of innocent people.  And I don’t want to get into politics here.  But there are attacks happening and I guess the movie shows a perspective.  Anyway.

A lot of cheese, but some good action here with a big budget to make the film look impressive on the screen.

 

The Brothers Grimsby

Director: Louis LeterrierThe Brothers Grimsby

Screenplay by: Sacha Baron Cohen, Phil Johnston

Story by: Sacha Baron Cohen, Peter Baynhan, Phil Johnston

Starring: Sacha Baron Cohen, Mark Strong, Rebel Wilson, Penélope Cruz, Isla Fisher and Babourey Sidibe.

A spy action comedy.

I’m not saying it’s one of Sacha’s best (I mean, Borat was a revelation), but Grimsby is definitely worth a giggle, a cringe and an outright laugh.  Yes, his humour is crude and extremely un-PC.  But it can also be very dry and very un-PC!  And that’s why I found myself sniggering through-out the film.

Even though he’s got his football, hotlips girlfriend and 11 kids, Nobby (Sacha Baron Cohen) still misses his long lost brother, Sebastion (Mark Strong).  Finally tracking him down, Nobby finds out his brother is a spy on a mission and Sebastion finds Nobby to be his idiot but ever-loving brother.  Together, nothing can stand in their way, except perhaps for Nobby… and the people of Grimsby giving away their location… and a few randy elephants.

Nobby is the definite focus of the narrative and humour.  Dawn, Nobby’s girlfriend (played by Rebel Wilson) gets a few farts in.  It’s interesting how Rebel is inherently funny in this film, similar to Sacha.  Just the expressions on the face are funny.  I mean, Nobby showing his – I love you brother, face is hilarious.

But why-oh-why did I find Daniel Radcliff (the character, not the actual actor) contracting AIDS the funniest part of the film?!

There is a particular style to the Cohen franchise.  And even through it wasn’t his best, Cohen has created a spy action film, thrown a load of cash at it and mixed it with his humour.  And yes, I was left with a grin on my face.

Not gold but bloody entertaining.

[amazon_link asins=’B01CPZM82U,B01CUOAIN2,B01LKISHAK’ template=’ProductGrid’ store=’gomoviereview-20′ marketplace=’US’ link_id=’c1111edc-ec21-11e7-b4c0-1ba1b22001eb’]

https://www.youtube.com/watch?v=hm8EtusOye0&nohtml5=False

 

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