Dora And The Lost City Of Gold

Rated: PGDora And The Lost City Of Gold

Directed by: James Bobin

Story by: Tom Wheeler and Nicholas Stoller

Screenplay by: Nicholas Stoller and Matthew Robinson

Produced by: Kristin Burr p. g. a.

Executive Produced by: Julia Pistor, Eugenio Derbez, John G. Scotti

Starring: Isabela Moner, Eugenio Derbez, Michael Peña, Eva Longoria, Adriana Barraza, Temuera Morrison, Jeff Wahlberg, Nicholas Coombe, Madeleine Madden, and Danny Trejo.

A good fun peppy adventure teen-movie.

It’s hard not to at least have come across Dora the Explorer at some stage – I remember waking up with a self-inflicted sore head on Boxing Day or Christmas morning to a painfully cheery voice as a young nephew watched an excited Dora exclaiming Spanish words on TV.

So, I wondered what a movie adaptation would make of a little girl teaching Spanish – can you say, Dora The Explorer not the cartoon version but human?

Yet the film immediately charms by referencing Dora’s teaching behaviour with Dora’s parents (Michael Peña and Eva Longoria) looking around confused, trying to figure out who Dora is actually speaking to – ‘She’ll grow out of it.’ Says archaeologist, professor dad (Michael Peña hilarious in this role).

So I felt the adaptation had something going for it if the writers have turned the film into a meta conversation while having at laugh at itself.

And Isabela Moner as Dora was well-cast as the warm-hearted teen who has learnt everything she knows about life from the jungle.

But it’s time for Dora to find friends her own age (and species); it’s time, for Dora to move to the city and start High School.

This is a film aimed at a younger audience as peppy Dora fights to be herself while also trying to fit in.

But it’s a kid movie made with sophistication, with montages of polaroids depicting Dora’s journey as a cut-out aeroplane moves across a map, the film reverting from live people to cartoon characters, the continued self-referencing – ‘Let’s make a song out of it!’.  And the soundtrack was pretty cool as well.

What I really liked about the film is how the teen-learning-life-lessons turns into an adventure movie.

It took a while to get going, my nephew telling it how it is asking, ‘Why is she called Dora The Explorer if she’s not exploring?”

Then, the search for Parapatas (The Lost City Of Gold) heats up.

So instead of trying too hard with the jokes (that didn’t always hit the mark, for me, anyway), there’s more clever and adventure while solving ‘jungle puzzles’ and making friends, flipping the film from teen, to cute (see Mr Boots, so obviously an animated puppet, yet still very entertaining), to cartoon Dora, to full action adventure – mind altering spores included.

So the film brings the adults on-side while keeping the kids entertained with the rest of it.

I’m not saying the film was mind blowing, but in the end, I had some fun watching this one.

Abominable

Rated: GAbominable

Written and Directed by: Jill Culton

Produced by: Suzanne Buirgy

Producer: Peilin Chou

Executive Producers: Tim Johnson, Frank Zhu, Li Ruigang

Starring: Chloe Bennet, Tenzing Norgay Trainor, Albert Tsai, Eddie Izzard, Sarah Paulson, Tsai Chin, Michelle Wong.

Yi (Chloe Bennet) lives in an apartment in a busy Chinese city with her mum and grandma.

She keeps herself busy; too busy to play with her neighbour, all braces and squeaky-voiced, Peng (Albert Tsai), and Jin (Tenzing Norgay Trainor) who is typically teen self-obsessed.

Because if she stops for a moment, then she’ll remember her dad is gone.

The only time Yi allows herself to remember her dad is when playing violin.  And that’s when she meets Everest – up on the rooftop where the yeti is hiding from the people who had captured him and kept him in a cage.

On the run from the bug-eyed and rich explorer Burnish (Eddie Izzard) and zoologist Dr. Zara (Sarah Paulson), the trio decide to take Everest back home.  Back to the Himalayas.  And so the adventure begins.

The DreamWorks Animation team have outdone themselves, the trailer for Abominable not translating just how majestic the film is on the big screen.  There were so many times I said, ‘Amazing’ and ‘Wow’ from watching the trio of kids and yeti ride a wave of yellow blossoms to see raindrops fall to the earth to unfurl into flowers.  And not just a few times, the film is just one wonderful moment after another.

It’s the detail and captured behaviour in those details of even the small characters that delights – ‘You just darted Dave!’ from a gun-for-hire; and the grandmother captured so well with her constant, ‘that’s what I say’.

And there’s an intricate story here about family and grief but also about the magic of nature where, ‘It’s amazing how small you feel, just looking up.’

Where there are those who appreciate nature and those who want to cut it down and take it home.

‘I own that yeti,’ says the brutish Burnish.

And the yeti, Everest was not abominable but adorable with his underbite and puppy-like behaviour.

I love that furry critter!

And so did my nephews who enjoyed the film just as much as I did; one asking if I was OK at one point because I was a little teary with the sweetness of it all.  I even got a hug.

Funny and sweet and beautifully realised, Abominable is a real treat.

How to Tran Your Dragon: Hidden World

Rated: PGHow to Tran Your Dragon: Hidden World

Directed and Written by: Dean DeBlois

Based on the Books of: Cressida Cowell

Produced by: Brad Lewis, Bonnie Arnold

Starring: Jay Baruchel, America Ferrera, Cate Blanchett, Kit Harrington, Craig Ferguson, F. Murray Abraham.

The final of the trilogy (I had to go back and watch the previous two instalments (well worth the watch), How to Train your Dragon: Hidden World, finds Hiccup (Jay Baruchel) and his Night Fury, Toothless, saving dragons from the Hunters to bring them back to the safety of Berk where Vikings and dragons coexist in peace.

Does anyone else think it’s strange that the Vikings have Scottish accents?!

The Hunters don’t believe dragons should be treated as equals, the evil villain, Grimmel (F. Murray Abraham), the Fury killer, believing peace can only be found when every Fury is dead.

The Hidden World is full of myth and fantasy; the Mariner Myth of the Hidden World a place where dragons live freely at the end of the world is the drive behind the story.

While fighting to save dragons from the clutches of Grimmel and searching for the mysterious Hidden World, Toothless meets a female Fury who’s beautiful and light with expressive blue eyes and moves that make his little heart race.

The courtship between these two is adorable, there’s no other word, my nephews and I awing and ahing at the antics of Toothless, his attempt to woo the beautiful Light Fury hilarious and delightful.

And the animation of this adventure-packed film is stunning; the burst of colours and detail of waterfalls and expressions of the dragons spectacular on the big screen.

Returning director and writer, Dean DeBlois has made a film to be enjoyed by all with some happy tears shed by many in the audience.

While making the most of the colourful characters like Tuffnut (T. J. Miller) brandishing his full thick beard (hilarious), we get a story about love, equality and freedom.

I had a smile on my face the whole way through, my nephew announcing The Hidden World the best How to Train Your Dragon out of the three, and quite rightly getting an applause from the audience at the end.

He then went on to say it was the best movie he’s ever seen.

I wouldn’t go that far, but The Hidden World is a great entertainer and a certain hit for the school holidays.

Elliot The Littlest Reindeer

Rated: GElliot The Littlest Reindeer

Directed and Written by:  Jennifer Westcott

Produced by:   Michael Emerson, Victoria Wescott

Starring: Morena Baccarin, Josh Hutcherson, John Cleese.

I must confess I got excited when I read about the stellar voice cast including names such as John Cleese and Martin Short. I love animation and I knew absolutely nothing about Elliot The Littlest Reindeer, walking in with an open mind.

First impression was weak though for he graphics looked like I was home playing PS4 and the awkward character’s tone attempt to wink at humour was soon defeated by a numb storyline. There was one moment I laughed, when the Highland horse with Braveheart-painted face and accent to match appeared on the screen. And that was it.

Barely 30 minutes into the film, something unprecedented happened: half the reviewers watching left the cinema. Imagine that. And I sat there, unable to find a comfortable position not the will to fall asleep for a painful hour and a half. Do you want to know my very honest opinion? Well, I wouldn’t take my worst enemy’s children to endure this waste of time and resources. Still want to know more? Sure, let’s continue.

The protagonist, a miniature horse with illusions of grandeur, is bullied by jerk-reindeers (the film’s words not mine) every time he attempts to train with them. Suddenly, Blitzen decides to retire and Santa organises a competition to select the next best thing and everything goes down the hill from here. Elliott goes from friendly horse to wannabe-reindeer in sixty seconds flat, leaving his old friends for a chance to be accepted.

But wait, there is more. The baddie-bad villain Miss Ludzinka, a Cruella De Ville type voiced by Martin Short, plans to purchase Elliott’s farm to make jerky out of its residents. Yes, I said jerky. Yummy. Now, after winning, Elliott is disqualified for not being a reindeer and the judges discover that DJ (the antagonist, Blitzen’s son and Elliot’s personal jerk-reindeer bully for convenience sake) has used additional ‘magical cookies’ to stay high in the sky for longer and win the competition.

If they don’t win, they lose the farm. All is lost, or is it? No spoilers here. All I am going to say if that the logline ‘big dreamers dream big’ is repeated over and over to ensure the audience stays tuned and follows Elliott the wannabe-reindeer and his owner the wannabe-farmer on their journey to become better beings.

What happens next? You’ll have to find out. Or maybe not. Maybe you can spare your kids and go watch something where animals are not threatened to be butchered, smoked and become jerky. Just a thought.

Redeeming features of the film include a nice old-fashioned score by Grayson Matthews and interesting facial expressions courtesy of animation director Sean Coughlin’s and his team. Until next time!

Dr. Seuss’ The Grinch

Rated: GThe Grinch

Directed by: Scott Mosier, Yarrow Cheney

Based on the Book: ‘How the Grinch Stole Christmas’ by Dr. Seuss 1957

Screenplay by: Michael LeSieur, Tommy Swerdlow

Produced by: Chris Meledandri, p.g.a, Janet Healy, p.g.a

Starring: Benedict Cumberbatch, Rashida Jones, Kenan Thompson, Cameron Seely with Angela Lansbury and Pharrell Williams.

Based on the Dr. Seuss book (1957) ‘How the Grinch Stole Christmas’, The Grinch modernises a classic tale of a self-isolating grump (Grinch’s voice-over by Benedict Cumberbatch) who hates Christmas because he can’t stand all the bright light and exuberant joy – three times as much joy called for this year by the major of Whoville.

All Grinchie (so named by the super-friendly neighbour Bricklebaum (Kenan Thompson)) feels when he sees all that joy is pain.

Being chased by over-enthusiastic carollers in town while having to re-stock the cupboards after emotional over-eating… during Christmas week… does not help matters.

What Grinch wants is quiet and isolation in his abode on Mt. Crumpet, with his constant companion Max; the dog able to read his moods from annoyed to really annoyed while making his morning coffee.

So when Grinch sees the size of the giant Christmas tree, where all the Who Folk of Whoville will sing carols – it’s too much.

Christmas has to be cancelled.

And the way to stop Christmas is to dress up like Santa, abduct a tubby reindeer, Fred who looks like he ate the other seven reindeers (hilarious), steal a sleigh from a roof-top and burglarise everyone’s house taking all the presents.

That’ll make him feel better.  He thinks, until he meets little Cindy-Lou (Cameron Seely) who only wants to help her overworked mum.  Cindy-Lou doesn’t want presents, she only wants to feel the joy.

It’s all very sweet.  And the classic nature of The Grinch, the cantankerous meanness of the green, pot-bellied critter is even funnier when alongside the over-joyous Whos while Max and Fred (the orange-haired reindeer) are all the more adorable alongside the grumpy Grinch.

Everyone loves to see a Grinch turn good.  It warms the heart.

And the attention to detail, the artwork of scenes like the light maze and the inventions of Grinch including the extenda-legs; Max turning in his dog matt just that one more time like real dogs do; The Grinch trucking around in sandals over socks; and the little stubby legs of Cindy-Lou as she prepares to leave for the north pole to find Santa in four winter jackets really keeps up the cuteness and fun of the film.

It took me a while to get absorbed into the Christmas world and spirit, but I couldn’t help some laugh-out-loud moments with the screaming goat – Benedict Cumberbatch as The Grinch noting the goat as nothing but ‘strange’ – capturing that sense of humour that I find ticklish.

The Grinch is a classic made with a wave of magic from the Illumination CEO Chris Meledandri who also adapted Horton Hears a Who! (2008) and The Lorax (2012), the success here in those added details so the kids will be entertained by the fun of the story, the light twinkling, the not-so-quiet antics of Fred (who my nephew found hilarious!), while the adults will appreciate the extra effort of getting the wonder of the story as realistic as if it was a film about people: that crotchety old Grandpa, or grumpy Aunty that just needs an extra hug at Christmas-time.

Charming

Rated: GCharming

Written and directed by: Ross Venokur

Produced by: John H. Williams

Music by: Tom Howe

Starring: Demi Lovato, Wilmer Valderrama, Sia, Ashley Tisdale, Avril Lavigne, G. E. M., Nia Vardalos, with Chris Harrison and John Cleese.

While writer and director Ross Venokur read fairy tales to his three daughters over the years, they came to realise Prince Charming gets around.  Think about it: Cinderella, Snow White, Sleeping Beauty… They’re all saved by the same guy.  They all fall for, Prince Charming.

In Charming, Venokur has turned the fairy tale around so it’s the Prince who’s cursed: there is such as thing as being too charming.  How is Prince Philippe Charming (Wilmer Valderrama) supposed to know whether it’s the curse or true love when all women are charmed by him?

Cursed by Nemeny Neverwish (Nia Vardalos), a scorned woman turned witch, Prince Charming must find true love before his twenty-first birthday to lift the curse of his charm.  If he doesn’t then all love will disappear from the kingdom.

Like his father and his grandfather, Prince Charming must complete the gauntlet; a journey of self-discovery and manhood while besting the unbeatable beast, escaping giant women cannibals, and most importantly taking a leap of faith to find his true love.

It’s only with the help of a rouge thief, Lenny while disguised as a man of the world but really Lenore Quinone (Demi Lovato), a girl who grew up on the seas, who has locked her heart away for good.  It’s only with her survival skills at the price of three fortunes in gold that the pampered, never-had-to-lift-his-charmed-finger-to-do-anything, has Charming any chance of completing the gauntlet.  Let alone find true love.

It’s lucky Lenore is immune to his charms, otherwise the quest would never have had a chance.  Nor the story.

Not that I was charmed by this film.

It was all a little pre-teen for me.  Complete with girl-band music for the soundtrack that I found difficult to believe the characters were singing.

And the story was stretched beyond believability, even for a fairy tale animation with Lenore jailed for her thievery to suddenly be offered three fortunes to get Prince Charming through the gauntlet!?

And Lenore putting on a baker’s hat was enough of a disguise to be mistaken for the short and fat baker?

And fake moustache and hat makes you look like a boy?

Well, yeah, I guess.  But not really.

I was however, charmed by details like the kingdom billboard advertising a lawnmower with a picture of a sheep and Charming offering Lenore’s partner-in-crime AKA a chirpy red bird a roasted pigeon leg.

And the animation was fluid with colours, my favourite scene when the two explorers enter an enchanted forest with vines reaching out with hands.

But the soundtrack and taking the leap-of-faith romance was directed at a younger audience who may be able to look past those stretches of narrative that made me roll my eyes because, as if!

Smallfoot

Rated: GSmallfoot

Directed by: Karey Kirkpatrick

Screenplay: Karey Kirkpatrick and Clare Sera

Screen Story by: John Requa & Glenn Ficarra and Karey Kirkpatrick

Based on the book: Yeti Tracks, by Sergio Pablos

Produced by: Bonne Radford, Glenn Ficarra and John Requa

Starring: Channing Tatum, James Corden, Zendaya, Common, LeBron James, Danny DeVito, Gina Rodriguez, Yara Shahidi, Ely Henry and Jimmy Tatro.

The only thing stronger than fear is curiosity.

Living above the clouds on the peak of a snowy mountain, a yeti named Migo (Channing Tatum) has been waiting to train to be like his dad and become a head-butting, gong ringer to call the sun-snail to bring the light of the sky every morning.

That’s what the stones say, and the Stonekeeper (Common) is always reminding the yeti tribe that below the clouds is the Big Nothing.

So when Migo is launched in training, only to miss the gong and be flung outside the yeti community, he’s as shocked as the human when he finds a smallfoot, as the smallfoot human is to find a yeti.

Disappearing from view and leaving no trace, his father and the rest of the village can’t believe Migo found a smallfoot.  Except the SES (Smallfoot Evidentiary Society).

Meechee (Zendaya) and her SES gang, Kolka (Gina Rodriguez), Gwangi (LeBron James), Fleem (Ely Henry) and Cali believe not just in the smallfoot, but that there’s far more out there then the stones have led them to believe.

On their research expedition into the Big Nothing they find Percy, a smallfoot with a career as a wildlife expert; a celebrity made famous by making a TV series that’s about to be cancelled because of a dwindling audience.  Percy will do anything to get his face out there.  Including faking a yeti sighting.  So, when he actually finds a yeti and the yeti finds a smallfoot, they’re both terrified and fascinated.

There’s this, ‘curiosity killed the yak’ theme versus the search for truth being more important than all else.

Which I felt dangerous for a young audience – to go out there searching for the truth no matter what.  I had an understanding for the want to lie to protect… which adds that needed obstacle to overcome in the film, giving the story a bit of grit.

The safety of the yeti and the threat of murder felt a little serious with nutty mountain goats and pink Snuffleupagus look-a-likes needed to soften the vibe of the film.

I just didn’t find the film very funny.

And I think some of the seriousness of the film may have been confronting for a really young audience.

Visually, the artwork and animation was smooth and beautifully put together with realistic fur and chase scenes seen from above like watching a game of Pacman.

But the story didn’t really work for me.  It wasn’t until the film got close to the end that I started to appreciate what the film was trying to achieve.

Mostly, I felt mildly uncomfortable with too many teachable moments for my taste.

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