India Sweets and Spices

Rated: MIndia Sweets and Spices

Directed and Written by: Geeta Malik

Produced by: John Penotti, Sidney Kimmel, Gigi Pritzker, Naomi Despres

Starring: Sophia Ali, Manisha Koirala, Rish Shah, Adil Hussain, Deepti Gupta, Anita Kalathara.

India Sweets and Spices presents a feast of Indian food and a glittering array of saris as the residents of Ruby Hill dress to the hilt for a weekly rotation of dinner parties during the holiday season. When Alia (Sophia Ali), the eldest daughter a successful heart surgeon (Adil Hussain), returns home from her first year away at university she is expected to play the role of demure Indian daughter looking to attract a suitable husband at these gatherings, but she has long ago outgrown her part. Now she cannot even pretend that she doesn’t find life in this bourgeois Indian enclave utterly stultifying. On the night before her departure she confides to a friend that it’s: ‘The place where brain cells go to die’.

During her time at UCLA, Alia has become heavily involved in social justice issues and takes it as her right that she is entitled to speak out and act upon what she believes in. Much to the horror of her mother. Sheila (Manisha Koirala) is not only a bored but devoted housewife and hostess extraordinaire, she is also the unofficial queen of the Ruby Hill social scene, and she is a woman with a past. It is a secret she has been keeping from her children and the community. In a community where everyone has a secret.

Once a haven for new arrivals looking to safely establish themselves in their adopted country, Ruby Hill has over time become a locked cage, where the corrosive tongues of ‘the aunties’ not only keep the residents in and in line but also keep new arrivals out. On the surface life is uncomplicated and easy in this enclave of backyard swimming pools, luxury vehicles and fantasy weddings where a groom might ride in on a tiger, but the entire community is being held hostage to the threat of exposure and embarrassment. It is a powerful deterrent, but the carefully manicured web of illusion this coterie has cultivated around themselves is impossible to maintain, even with the most watchful of blind eyes.

When Alia locks eyes with her new beau (Rish Shah) in the biscuit aisle of the local Indian grocery store and on impulse invites him and his family to a weekly dinner party, it will tug at a thread that will eventually unravel all of the secrets. Beginning with, possibly, the biggest secrets of all. The ones her own family have been keeping from her.

This feminist romantic comedy/ coming of age drama begins with a finely wrought script from Geeta Malik, with some precisely-calibrated lines for Alia to deploy against the ‘aunties’. Originally reading for the part of Alia’s best friend Neha (Anita Kalathara), Sophia Ali has been beautifully cast Alia Kapur as she tenaciously pursues the question, ‘What if we are who we are and then we don’t recognise ourselves anymore?’ It’s not only a question for Alia; the conundrum equally applies to Sheila and Ranjit when their secrets are finally revealed. As it is, perhaps, for many more in their circle.

What Will People Say (Hva Vil Folk Si)

Directed and Written by: Iram HaqWhat Will People Say

Produced by: Maria Ekerhovd

Executive Producer: Alex Helgeland

Music Composed by: Lorenz Dangel, Martin Pedersen

Starring: Maria Mozhdah, Adil Hussain, Rohit Saraf, Ekavali Khanna, Ali Arfan, Sheeba Chaddha, Lalit Parimoo, Jannat Zubair Rehmani, Isak Lie Harr, Nokokure Dahl.

Released in Australia as part of the Scandinavian Film Festival 2018

Winner: Audience Award, AFI Fest 2017

Official Selection International Film Festival Rotterdam 2018

Official Selection Toronto International Film Festival 2017

It took many years for director and writer, Iram Haq to tell the autobiographic story of her past.  To be able to tell of her experience as a sixteen-year-old, in the film known as Nisha (Maria Mozhdah), growing up in a Pakistani family living in Norway.

Now, after enough time has passed, Iram is able to show the pain of being betrayed and kidnapped with an unflinching eye.

No mean feat as the pain of this difficult time was caused by her family – her betrayal, the threat to kill, her abuse – all because, what would people think of her behaviour?

What Will People Think is an apt title as the embarrassment of the family is more important than the life of a girl growing up, just like her friends; the film about her father (Adil Hussain) as much as about her because it’s his over-reaction when finding a boy in her bedroom that sets the course of her life.

And the family follow his instruction.  His son; her brother partaking in sending her back to Pakistan against her will, telling her to enjoy the trip, talking to his father about how cool the new BMW is while Nisha has no idea of her fate.  Her life, not her own.

We are taken from the cold and snowy world of Norway, where kids play basketball and go to parties, to the heat of Pakistan, the crumbling old buildings and markets and mosquitoes showing the contrast of two completely different worlds.

What Will People Say

It’s a nightmare that deepens as Nisha’s left with relatives in Pakistan, trying to make her way, only to be betrayed again and again, all under the guise of being for her own good; the continued harassment and relentless discipline, to do what she’s told under threat of death, her constant reality.

There’s a fierce emotive story here, told without dramatisation so the performance of Maria Mozhdah as Nisha hits harder, digs deeper.

The times I did have tears spring to my eyes were those warm moments when Nisha was seen, heard and loved – a little sister giving her a hug, or the simple attempt to fly an orange kite upon a rooftop.

And the humanity of members of the family are shown through their love of being together: cooking, eating, praying, bickering.  All normal family stuff.

It’s the terror of stepping outside the social boundaries, of being found-out and shunned that turns good people into fearful people, into something cold.

The Norwegian Child Welfare Services are brought in to assess and act when the family show behaviour unacceptable in the culture they’re living.  Yet the family isn’t all bad, the film showing love and warmth making it harder to see the turning away – the authoritative stance and abuse giving insight into the culture clash that stuns the sensors.  To see a father spit in his daughter’s face, for her to lack any control makes me furious because it’s so unfair.

But the film isn’t about anger or hurt, in the end it comes down to courage and I was left with a lingering admiration of Nisha’s bravery.

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