Peppermint

Rated: MA 15+Peppermint

Directed by: Pierre Morel

Written by: Chad St. John

Produced by: Tom Rosenberg, Gary Lucchesi, Richard Wright, Eric Reid

Starring: Jennifer Garner, John Ortiz, John Gallagher, Jr., Juan Pablo Raba, Annie Ilonzeh, Jeff Hephner and Pell James.

Who is Riley North?

She’s a female vigilante who wants justice.

A classic revenge film, Riley North (Jennifer Garner) loses her husband Chris (Jeff Hephner) and her daughter Carly (Cailey Fleming) when Chris even contemplates robbing a drug cartel.

After Riley wakes in hospital from a coma, something has changed. When the guys who killed her family are let off, something breaks.

It’s a rampage of revenge with Riley North becoming an assassin; social media arguing whether she’s a criminal or a hero.

I wasn’t sure what to expect walking into Peppermint, hoping I wasn’t going to see a melodrama of family crisis.  And thankfully, the film is more action than drama with Garner holding her own in the believable character of Riley North.

I did however, get struck wondering how this wife and mother, taking her kid out to sell baked goods for the equivalent of the Brownies (for all those Aussies out there who partook in Pow Wows during their Primary School years…) suddenly becomes a killing machine.  But the story gets there, sort of.  I would have liked more backstory, making the most of filling some of the character with interesting mother-becomes-assassin interest.  But in the end, this is an action movie not a drama.

What I found difficult was the timing that felt off at moments, like tough cop talk lines delivered flat: ‘Pro tip’, states Detective Moises Beltran (John Ortiz) to fellow detective Carmichael (John Gallagher Jr.) who likes a shot of booze added to his morning coffee, ‘Wait until you’re dead before you embalm yourself.’

So there were jolts in the narrative.

And it felt like a film I’d seen before with nothing really new; techniques like flash backs as exciting as it gets.

But hey, it works!

And the story evolves with some good action.

What can I say, I like a good crime thriller.

So although not the best I’ve seen, Peppermint served with ‘a double scoop’ is worth a watch.

All Eyez On Me

Rated: MA15+All Eyez On Me

Director: Benny Boom

Screenplay: Steven Bagatourian

Producers: L. T. Hutton, David l. Robinson, James G. Robinson

Starring: Demetrius Shipp Jr, Danai Gurira, Lauren Cohan, Jamie Hector, Annie Ilonzeh, Kat Graham and Jamal Woolard.

After being hit in the stomach by a patient at work (hospitals aren’t always the safest places), I was feeling feisty going in to see the biography of controversial rapper, Tupac Shakur (AKA 2Pac) in, All Eyez On Me.

I didn’t expect to get into the film as I wasn’t a fan, but I became absorbed by the tenacity of the man (rhyming intended).

Taking me back to the late 80s to early 90s, back to a time when I was still at high school, put off rap when lyrics from, The 2 Live Crew’s track: Me So Horny, were sung by oh so horny teenagers – the story of Tupac was unfamiliar.  Sure, I’d heard of him.  Anyone alive during that time would have, and that’s a testament to his fame, but I didn’t know the details of his life.

By the time Tupac was 25 when he died a week after being shot by, to this day, persons unknown, Tupac Shakur had sold over 75 million records had starred in six films and one TV show all in the space of 5 years, including his time in jail for ‘indecent touching’. This guy was a trail blazer.

All Eyez on Me is a biography and thankfully not a rap music video featuring gangsters and tits and arse, for which 2Pac was famous, there’s also his political side, his poetry and his relationship with his mother.

Both his step father and mother were part of the Black Panther’s back in the 70s, his mother jailed while pregnant with Tupac only to be released after her self-representation.  His step father also jailed after being charged for armed robbery whether a set-up by the police for being a Black Panther leader or because he did the robbery or for all of it.

It’s interesting how times have changed and how artists who survived those days such a Snoop Dogg and Ice Cube have been washed and rinsed and sanitised.  And I felt that the perspective of the film laundered Tupac’s life for the big screen.  Yet, there’s effort to show the controversy, the gangster attitude and misogynous stance to then switch to Tupac’s defence to give a little understanding as to the why.  And the, Why not?

It was interesting to be shown a slice into the life that was Tupac.  From his life as a child to his final hours as partner of Death Row Records, still dreaming, still creating, still getting out there to stand.

The opportunity for Tupac to defend his life style was shown through an interview with journalist Kevin Powell (who’s now suing for copywrite infringement, see article here) while he was jailed.  The premise being just because you don’t understand it, doesn’t mean it’s wrong.  And although sometimes disgusted, I admit I got into the film and the charisma of the character, Demetrius Shipp Jr, well-cast as Tupac.   But wow, the man himself would have been so much better.

A few pieces of old footage are spliced into the film which I would have liked more if possible without taking away from the drama and character of the film.

And 2Pac’s music was a slow reveal and used in triumph as Tupac makes a comeback, again and again.

All Eyez On Me is an interesting film if you can stomach the macho BS that is the attitude of the 80s rapper.  Particularly the history of West Coast Rap and where artists like Dr.Dre, Snoop Dogg and 2Pac come together.

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