Nobody

Rated: MA15+Nobody

Directed by: Ilya Naishuller

Written by: Derek Kolstad

Produced by: Kelly McCormick, David Leitch, Braden Aftergood, Bob Odenkirk, Marc Provissiero

Executive Producers: Derek Kolstad, Marc S. Fisher, Annie Marter, Tobey Maguire

Starring: Bob Odenkirk, Connie Nielsen, RZA, Aleksey Serebryakov and Christopher Lloyd.

Bloody, handcuffed and lighting a cigarette, to then reach into his pocket to open a can of tuna?  Kinda sums up the character that is Hutch Mansell (Bob Odenkirk).

He’s a veteran.  But known only to be The Auditor.  A seemingly benign role that more likely means the last person you’ll ever meet.

But now, Hutch is a family man with a wife, Becca (Connie Niesen) and two kids.

The family moments are captured well, without overdramatising the sentiment – how is it kids know just the right thing to say to make you feel better?

Although, I was confused about the extent of Becca’s involvement or knowledge of Hutches previous life.

But the gist of the changed man was there; the family life where every day seems the same: ‘I may have overcorrected,’ is one aside from Hutch.

Until a pair of robbers break into his house.

Nobody has that classic formula of bad guy turned good until he’s wronged.  He’ll take punishment even though he knows he can retaliate.  He’ll take it until he’s pushed too far.

And if you think that sounds a little familiar the script is from Derek Kolstad (John Wick franchise).

The getting pushed was a little weak here.  But the retaliation was awesome.

Bloody and vicious with broken-bat-wiped-across-chest, and hit over the head with boiling tea kettle action (classic) included.

There’s a character in the credits named, ‘Big Brute,’ which aptly sums up the enemies Hutch has to take down.

And Odenkirk as Hutch is good fun with his asides and ever suffering demeanour – but he’s not too layered.  More, a need to break out of his self-made prison and to bloody his fists to feel alive again.

Christopher Lloyd as grandpa is a cracker.

But the story felt a little thin to me – maybe there’s a sequel coming with backstory?  AKA the John Wick series?  That would be a treat.

So without too high an expectation, well, I did go in with really high expectations being such a fan of Odenkirk, I was a little disappointed but overall still had a lot of fun.  Great ride.

Long Shot

Rated: MLong Shot

Directed by: Jonathan Levine

Screenplay by: Dan Sterling and Liz Hannah

Story by: Dan Sterling

Produced by: Charlize Theron, p.g.a., A.J. Dix, p.g.a., Beth Kono, p.g.a., Evan Goldberg, p.g.a., Seth Rogen, p.g.a., James Weaver, p.g.a.

Starring: Charlize Theron, Seth Rogen, O’Shea Jackson Jr., Andy Serkis, June Diane Raphael, with Bob Odenkirk, and Alexander Skarsgård.

Fred Flarsky (Seth Rogen) has been in love with Charlotte Field (Charlize Theron) since he was twelve years old.

Before she was Secretary of State, Charlotte was Fred Flarsky’s baby sitter.

They’ve both grown up since Charlotte wanted to save the planet and become School President; now, she’s campaigning to save the planet and become President of the United States.

Fred, with his gonzo journalistic style has just lost his job.  He needs cheering up.  Best friend Lance (O’Shea Jackson Jr.) knows what he needs: a classy cocktail party featuring Boys To Men as the entertainment.

Suited-up in teal windbreaker (that he seems to have an attachment to) and tapered cargo pants, Fred happens to meet up with his crush, the now beautiful and powerful Charlotte.

She remembers him.  She likes his writing.  She decides (against the opinion of her Chief of Staff, Maggi (June Diane Raphael)) to hire Fred as her speech writer.

Long Shot is a rom-com so of course it’s the unlikely couple who fall for each other – the difference in this rom-com, the odd-couple fall for each other while on the campaign trail.

There’s this mix of Charlotte living the high life as a politician and the comedy of Seth Rogan as Fred, the goofy but still witty guy able to write a good speech while reminding Charlotte of her young self: the idealist.

‘I am not nuking a tsunami,’ she states.

Most of the time, the film’s a silly bit of fluff.

There’s some classic comedy with Fred wearing an outfit that looks like, ‘Captain Crunch’s Grindr date.’  But then the film gets romantic, the shift from comedy to romance obvious when the soundtrack starts with, ‘One way.  Or another.  I’m gonna git ya, git, ya, git, ya…’

It didn’t quite gel right for me.

Charlize Theron as Charlotte is gorgeous in this film – her allure, as always, cool and controlled.

Sure, Fred breaks down this barrier as part of the romance, getting the Secretary of State to chill out, get wasted and fall in love.

And we get an appearance from Alexander Skarsgård (I’m really becoming a fan of this guy) showing his comic genius as the Canadian Prime Minister.

But the mix of romance and politics wasn’t always a success.

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