Abominable

Rated: GAbominable

Written and Directed by: Jill Culton

Produced by: Suzanne Buirgy

Producer: Peilin Chou

Executive Producers: Tim Johnson, Frank Zhu, Li Ruigang

Starring: Chloe Bennet, Tenzing Norgay Trainor, Albert Tsai, Eddie Izzard, Sarah Paulson, Tsai Chin, Michelle Wong.

Yi (Chloe Bennet) lives in an apartment in a busy Chinese city with her mum and grandma.

She keeps herself busy; too busy to play with her neighbour, all braces and squeaky-voiced, Peng (Albert Tsai), and Jin (Tenzing Norgay Trainor) who is typically teen self-obsessed.

Because if she stops for a moment, then she’ll remember her dad is gone.

The only time Yi allows herself to remember her dad is when playing violin.  And that’s when she meets Everest – up on the rooftop where the yeti is hiding from the people who had captured him and kept him in a cage.

On the run from the bug-eyed and rich explorer Burnish (Eddie Izzard) and zoologist Dr. Zara (Sarah Paulson), the trio decide to take Everest back home.  Back to the Himalayas.  And so the adventure begins.

The DreamWorks Animation team have outdone themselves, the trailer for Abominable not translating just how majestic the film is on the big screen.  There were so many times I said, ‘Amazing’ and ‘Wow’ from watching the trio of kids and yeti ride a wave of yellow blossoms to see raindrops fall to the earth to unfurl into flowers.  And not just a few times, the film is just one wonderful moment after another.

It’s the detail and captured behaviour in those details of even the small characters that delights – ‘You just darted Dave!’ from a gun-for-hire; and the grandmother captured so well with her constant, ‘that’s what I say’.

And there’s an intricate story here about family and grief but also about the magic of nature where, ‘It’s amazing how small you feel, just looking up.’

Where there are those who appreciate nature and those who want to cut it down and take it home.

‘I own that yeti,’ says the brutish Burnish.

And the yeti, Everest was not abominable but adorable with his underbite and puppy-like behaviour.

I love that furry critter!

And so did my nephews who enjoyed the film just as much as I did; one asking if I was OK at one point because I was a little teary with the sweetness of it all.  I even got a hug.

Funny and sweet and beautifully realised, Abominable is a real treat.

Victoria & Abdul

PG-13Victoria & Abdul

Director: Stephen Frears

Based on journalist Shrabani Basu’s book: Victoria & Abdul: The True Story of the Queen’s Closest Confidant,

Screenplay by: Lee Hall

Casting Directors, Leo Davis & Lissy Holm. Casting Director – India, Nandini Shrikent. Music by Thomas Newman. Make-up and Hair Designer, Daniel Phillips. Costume Designer, Consolata Boyle. Production Designer, Alan Macdonald. Editor, Melanie Ann Oliver, ACE. Director of Photography, Danny Cohen, BSC.

Produced by: Tim Bevan, Eric Fellner, Beeban Kidron, Tracey Seaward.

Starring: Judi Dench, Ali Fazal, Eddie Izzard, Adeel Akhtar, Tim Pigott-Smith, Olivia Williams, Fenella Woolgar, Paul Higgins, Robin Soans, Julian Wadham, Simon Callow and Michael Gambon.

In 1887, Abdul travels from India to present a ceremonial medal as part of the Queen’s Golden Jubilee.

As the title suggests, Victoria & Abdul is a film based on the (mostly) true events of a previously unheard of close friendship between Queen Victoria and a Muslim Indian, Abdul Karim.

The film opens on a caricature portrait of the queen: an elderly, overweight woman, bored and cantankerous as she attends seemingly endless engagements to celebrate her 50 years on the throne.  Until a tall, handsome ‘Hindu’ catches her eye.

Aside from the difference in age and race, Queen Victoria blossoms under the attention of this most attractive, warm-hearted man.  And you can see the romantic overtures of the relationship as the elderly monarch falls in love with Abdul’s (Ali Fazal) bright eyes and unique perspective of the world.

Although not a physical relationship, Abdul becomes her close confident and Munshi, a spiritual advisor and teacher – completely unheard of in 17th century England.

She persists in keeping Abdul by her side against the pressure and ultimate rebellion of her Court and family, demanding she stop keeping the Indian man’s company, let alone promote him.

And it’s fascinating to watch the iron will of the Queen as she insists – because, after all, isn’t she the Empress of India?

In 2001, journalist Shrabani Basu, while researching the origins of curry, discovered not only Queen Victoria’s love of curries but also a portrait and bronze bust made of an Indian gentleman.   After further investigation, 13 volumes of Queen Victoria’s diaries were found, previously unread because they were written in Urdu (a Persianised and standardised register language of the Hindustani language).

After translating the diaries, Basu discovered the unconventional relationship between the Queen and a young clerk, Abdul.Victoria & Abdul

The book has been adapted for the screen by writer, Lee Hall (who also wrote the beloved, Billy Elliot (2000)), changing the journalistic style of the book into a drama more suited to a wider audience.

Victoria & Abdul

The setting and costuming were carefully crafted, showing the extravagance of royalty while also showing the silliness of ceremony.

Victoria and Abdul is a period drama, which isn’t really my cup-of-tea, but there’s true brilliance in casting Dame Judi Dench as Queen Victoria (again) – Dench depicting the Queen’s grit beautifully with guidance from director, Stephen Frears (both Frears and Dench having experience portraying Queen Victoria with Frears directing The Queen back in 2006 and Dench cast as Queen Victoria in, Mrs Brown (1997)).

Victoria & Abdul gives a glimpse into the personality of the woman, her iron will and the simplicity of her nature; the drawing reflected so well in Abdul’s eyes.

It was like watching an elderly, sick woman come to life.

And inspiring to see one so sure of her wants and needs against all other opinions, even those of her son.

Fan’s of Judi Dench you will enjoy seeing her play the borderline dirty old woman cradle snatching a younger man (Abdul, 24 when he first arrived in England and the Queen, in her 80s), and to admire her strength of character while surrounded by pompous idiots.

So, an enjoyable watch with highlights of humour and emotional undertones – a chance to look behind the curtain of English Royalty, to glimpse a remarkable woman who, against all odds and so late in life, found love and friendship in the most unlikely person, her Munshi, Abdul.

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