Hunter Killer

Rated: MA15+Hunter Killer

Directed by: Donovan Marsh

Screenplay by: Arne L. Schmidt and Jamie Moss

Based on: The Novel “Firing Point” written by George Wallace and Don Keith

Produced by: Neal H. Moritz and Toby Jaffe, Gerard Butler, Alan Siegel, Tucker Tooley, Mark Gill, John Thompson, Matt O’Toole, Les Weldon

Starring: Gerard Butler, Gary Oldman, Common, Linda Cardellini, Michael Nyqvist and Toby Stephens.

HUNTER KILLER ( hən(t)ərˈkilər ): a naval vessel, especially a submarine, equipped to locate and destroy enemy vessels, especially other submarines.

Based on the book, “Firing Point” written by George Wallace (retired commander of the nuclear attack submarine, USS Houston), and award-winning journalist, Don Keith, Hunter Killer has action above and below the water.

Russian and American submarines play cat and mouse under the heaving Barents Sea; the Americans ghosting a Russian sub when they watch it being blown to pieces.

The Cold War may have ceased above ground, but below the surface of the ocean, torpedos are incoming.

When the American sub goes off-radar, the Brass above ground, trigger-happy Admiral Charles Donnegan, Chairman of the Joint Chiefs of Staff (Gary Oldman) and the more cautious Rear Admiral John Fisk (Common) along with senior National Security Agency analyst Jayne Norquist (Linda Cardellini), send the only Hunter Killer they have nearby, the USS Arkansas: enter ‘pride runs deep’ Captain Joe Glass (Gerard Butler).

When the USS Arkansas crew discover they’ve just sailed into a coup with Russian President Zakarin (Alexander Diachenko) held captive by Admiral Dmitri Durov (Michael Gor) gone rogue, it’s a high-stakes play to extract the president from Russian soil without starting WWIII.

Riding the helm, director, Donovan Marsh (iNumber, Number (2017)) uses three threads to tell the story: the convert battle from the sub, the Black Ops team on the ground and the tension in the War Room; a successful technique condensing a complicated military novel into a comprehensive film.

Yet unable to resist that action military cheese that dominates this genre, the screenwriters throw in lines like, ‘We’re not enemies, we’re brothers’, from Glass.

And you can just see it, the Gary Oldman character Admiral Charles Donnegan stating, ‘When someone makes a move on a chessboard, you respond.’

So, there’s that.

And the shifting of the Russians speaking their native language to then speak English, to each other when really, they’d be speaking Russian, constantly jolted me out of that suspension of reality.

Sticking to Russian with English subtitles would have given the film more authenticity and impact.  A shame because there’s so much effort with the detail of the sub, Marsh placing the film’s entire submarine set on a massive hydraulic gimbal to forge realistic movement.  And the U.S. Navy contributing and advising through-out to get the details as close to the real deal as possible.  To have all that effect taken away by a few pieces of dialogue was disappointing.

I will say that although there were cheesy moments with the brothers-in-arms rhetoric, Gerard Butler brings it in a role more subdued, yet quietly still the man of action Captain.  And Michael Nyqvist as the Russian counter-part, Captain Andropov, added to the tone of brave men making life and death decisions.

Rest In Peace Michael Nyqvist who passed away in June 2017.

And wow, the action and suspense really ramps-up as the story of the film builds.

Overall, not the best I’ve seen in the genre but the suspense and action make Hunter Killer worth a watch.

Darkest Hour

Rated: PGDarkest Hour

Directed by: Joe Wright

Written by: Anthony McCarten

Producers: Tim Bevan, Eric Fellner, Anthony McCarten, Lisa Bruce, Douglas Urbanski

Starring: Gary Oldman, Kristen Scott Thomas, Lily James, Stephen Dillane, Ronald Pickup and Ben Mendelsohn.

Set over the course of four weeks in 1940, Darkest Hour is based on the true story of Winston Churchill and the immense burden he carried as newly-appointed Prime Minister when Nazi Germany invaded Western Europe.

It’s a critical time in history.  A decision must be made to either fight in another world war against all odds, the Germans surrounding the entire British army on the shores of Dunkirk – or to negotiate with a madman.

The fight on Dunkirk is fresh in the minds of film enthusiasts after the recent release of Christopher Nolan’s memorable, ‘not-a-war movie’, Dunkirk.

Darkest Hour shows a different version of WWII, focussing on the same time in history yet here the story unfolds not on the ground – the soldiers dodging bullets or falling into the icy waters – here, we follow the men making the decisions and observe the politics and strategies of war held behind closed doors.  And with Churchill, sometimes the most important conversation taken on the telephone behind the door of the lavatory.

Darkest Hour is based on the beginnings of WWII, yes, but the story is about the man – Winston Churchill and all his flaws.  A man who has never taken the tube (well, only once during the strikes), a man whose wife (Kristen Scott Thomas) finds him intolerable but loves him anyway.  And no matter his power or position will always know him as, Piggy.

Churchill never gives up, and it’s precisely his flaws that give him the strength to succeed.

Gary Oldman is every bit deserving of his recent Golden Globe award for Best Performance by an Actor in a Motion Picture – Drama.  See his acceptance speech here.

As Winston Churchill, Oldman’s barely recognisable as he embraces the part and becomes every bit the British Prime Minister affecting all the required mannerisms of the mumbling, alcoholic, cigar smoking, yet brilliant mind and oration of the man.

Ben Mendelsohn finally gets to be the good guy, here as King George VI.  Not the regal performance of Colin Firth in, The King’s Speech (2010) but suiting the tone of the film better with the gritty human nature of the characters used for amusement amongst all the seriousness of the story.

And there’s not many tricks here – director Joe Wright (Atonement, Hanna, Pride & Prejudice, Anna Karenina) keeping any effects subtle with a sometimes lofty birds-eye-view to convey the overall feeling of politicians seeing the population as small parts to be manuvered for the greater good.

Mostly, this is a character-driven film, focussing on the dialogue and emotion of those who discuss the fortunes of thousands of lives.  We, as an audience, get a window into the world of Churchill as he weighs the cost; to ultimately decide no cost is too much – there is only perseverance to fight until the very end.

So, for all Churchill’s flaws, we are shown true grit and the character required when the world ceases to make sense.  And can the man speak!  The real pleasure of the film watching Churchill use his words to win over a nation, his famous speeches delivered by the believable performance of Gary Oldman.

Would I watch the film again?  Probably not.  This isn’t a thriller that keeps you on the edge, this is a stirring education and insight into just how close we came to losing our freedom.

The Hitman’s Bodyguard

Rated: MA15+The Hitman's Bodyguard

Directed by: Patrick Hughes

Written by: Tom O’Connor

Produced by: John Thompson, Matt O’Toole, Les Weldon, Mark Gill

Starring: Ryan Reynolds, Samuel L. Jackson, Gary Oldman, and Salma Hayek, Elodie Yung, Joaquim De Almeida, Kirsty Mitchell, with Richard E. Grant.

Darius Kincaid: Well, when life gives you shit, you make Kool-Aid.
Michael Bryce: Life doesn’t usually give you shit and then turn into a beverage.

When Triple A rated executive protection agent, Michael Bryce (Ryan Reynolds) loses or should I say, watches in disbelief as his client is shot by a seemingly impossible bullet in front of him, his life falls from living the dream, like, right up there, to right down there: escorting coked-up stock brokers.

It’s a wasted talent.

So, when super-hitman, Darius Kincaid (Samuel L. Jackson) is put under witness protection so he can testify against, Vladslav Dukhovich (Gary Oldman), an Eastern European fallen dictator for crimes against humanity, it’s up to Bryce to get him to court alive.

If only Kincaid hadn’t tried to kill Bryce 28 times and wasn’t a complete pain in the arse.

The Hitman's Bodyguard

The Hitman’s Bodyguard uses that old-school formula of two guys who annoy the crap out of each other, leading to funny one-liners in between the explosive action of car, boat and motorbike chases to jumping from buildings gracefully or being ejected through a car windscreen.

There’s loads of action here and plenty of gun fights and bloody bits – a surprising amount of blood and swearing.

But the bromance/comedy/action formula is a classic one and works well if you’ve got the right cast, such as Ryan Reynolds versus Samuel L. Jackson.

It was interesting between Jackson and Reynolds because they’re both strong leads. Yet, they worked well with two very different characters bouncing off the other – Bryce (Reynolds) completely unfazed by the intensity that was Samuel L. Jackson as Kincaid which added to the comedy.

Ryan Reynold’s deadpan facial expressions of disbelief and perfectly timed deliveries were what really made the film for me.
The Hitman's Bodyguard

I can understand why the script written by Tom O’Connor was immediately sold as it’s a lot of fun, particularly with so many cars getting blown up (being more of an action entertainer then a thought provoker) but there’s enough development of the characters to create a satisfying emotional tone, so it’s not all just superficial explosions, there’s also a roundness to Kincaid and Bryce that develops as the relationship progresses.  And thankfully not sappy try-hard, but believable, funny and a bit cute with hard-arse Kincaid giving Bryce love advice.

Director, Patrick Hughes, who’s becoming an experienced hand at superstar casted action flicks (think The Expendables 3 (2014)) has put together a well-balanced and entertaining film.  And I was happy to leave the cinema with a grin.

Subscribe to GoMovieReviews
Enter your email address for notification of new reviews - it's free!

 

Subscribe!