Paddington In Peru

GoMovieReview Rating: ★★★★Paddington In Peru

Rated: PG

Directed by: Dougal Wilson

Produced by: Rosie Alison

Based on the Character, Paddington Bear, Created by: Michael Bond

Screen Story by: Paul King, Simon Farnaby, Mark Burton

Screenplay by: Mark Burton, Jon Foster and James Lamont

Starring: Hugh Bonneville, Emily Mortimer, Antonio Banderas, Olivia Colman, & Julie Walters with Ben Whishaw & Imelda Staunton as the voices of ‘Paddington’ & ‘Aunt Lucy’.

‘When skies are grey, hope is the way’ – Aunt Lucy.

The third instalment of the Paddington franchise opens a few bears ago…

Amongst the ferns and red flowers (not the spiky red ones, that comes later) is a sniffing bear cub, reaching for one, lone, enticing orange, right at the end of a branch.  He reaches until the branch snaps…

Paddington in Peru unpacks Paddington’s origin story.  Of how he became lost, only to be found by Aunt Lucy (Imelda Staunton).

But now, Aunt Lucy is lost.

Receiving a letter from the Mother Superior (Olivia Colman) who looks after Aunt Lucy in the Home for Retired Bears in Peru, Paddington (Ben Whishaw) decides he must return to his birthplace to find the one who found him.  Took care of him.  Who said, ‘If you ever get lost again, roar and I’ll roar right back.’

It’s just what the Brown family needs.  An adventure.  Together.

Mrs. Brown (Emily Mortimer) is struggling with the changes in the family, the children drifting away with Judy (Madeleine Harris) applying for university and Jonathan (Samuel Joslin) locked up in his room, inventing gadgets so he can spend more time chilling.

Mrs. Brown misses those years when the family would hang out together on the sofa, the ‘sofa years.’

Mr. Brown’s (Hugh Bonneville) new boss at the insurance company wants to embrace risk, so a dangerous trip to Peru sounds just the ticket, in spite of his risk averse nature.

When they meet river boat captain, Hunter (Antonio Banderas), along with his daughter Gina (Carla Tous), to hire a boat for their journey, the Brown family are quickly introduced to the perils of the amazon jungle.  Did I mention the spikey red things?  And the generational madness of Captain Hunter’s gold fever.

Paddington in Peru is a story of coming from somewhere but making another place home, of children flying the nest, of understanding and embracing change while holding on to what matters, family.

New director Dougal Wilson brings the same inventiveness as the previous Paddington films directed by Paul King, with the montage of moving painted portraits, the Brown family home shown as a doll’s house and ghosts brought to life like a fever dream.

Dougal states, ‘I thought it would be great fun to continue the style that Paul King had so brilliantly set up, using the feeling that the stories created in London and applying that to a place that wasn’t London. I aimed to bring that style, tone, and inventiveness to Peru.’

This film is filled with the green of the amazon and the heady views from ancient sites with filming locations from Machu Picchu, Huayna Picchu, Centre of Lima, Cerro San Cristobal, Cusco – Maras Town, Cusco – Maras Fields, Palccoyo Mountain, Abra Malaga, Santa Maria Road, Amparaes, Yanatile Road, Cusco Quillabamba – Sant Maria, Cusco Quillabamba – Santa Teresa Road.

There’s also that classic humour with Mr. Brown trying to be tough with his hard walk, a bow legged, hands-on-hips ramble he also employs when the plumber comes around.

Paddington narrates the storyline as he writes his letter so there’s that genuine heartfelt interpretation of the goings on, Ben Whishaw returning as the voice of Paddington so it would be impossible to imagine any other voice for the lovable bear.

Antonio Banderas brings his suave brand to the character of Mr. Hunt and his ancestors, the resemblance lending hilarious moments to his gold madness.

And, Onward Christian soooldiers, Olivia Colman as the Mother Superior has the facial expressions to show the multifaceted, nothing-suspicious-going-on-here, shenanigans of an innocent, not-so-innocent, nun.

The whole production is detailed to delight and a whole lot of fun, with yes, a few tearful moments.

I can’t quite give a higher rating than Paddington 2.  Hugh Grant owned his character, the villain-of-many-disguises, Phoenix Buchanan, and I was chuffed to see his cameo here in Paddington 3.

But Paddington in Peru does not disappoint and is a good time, for, well, everyone.

Paddington 2

GoMovieReviews Rating: ★★★★☆ (4.2/5)

Rated: GPaddington 2

Directed by: Paul King

Produced by: David Heyman

Written by: Paul King and Simon Farnaby

‘Paddington Bear’ created by: Michael Bond

Starring: Hugh Bonneville, Sally Hawkins, Brendan Gleeson, Julie Walters, Jim Broadbent, Peter Capaldi with Hugh Grant and Ben Whishaw as the voice of Paddington.

Sans nephew and not having seen the original Paddington (2014) – well, only bits on the cable TV that I caught watching with a patient at (my other life) work; both of us agreeing the film looking surprisingly good and Paddington The Bear textured and lovely, I wasn’t sure what to expect with Paddington 2.

But when a premier ends with applause from the audience and finding a grin on my face with added moments of laughing-out-loud, you know you’re on to a winner.

‘Stop that stunning sister!’ Yells Barry (Simon Farnaby – also co-writer) the vice deputy security guard of St Paul’s Cathedral, as the villain-of-many-disguises, Phoenix Buchanan (Hugh Grant) escapes capture disguised as a nun.

There’s something about that British humour here that just tickles.  And Hugh Grant cast as the has-been actor, now famous for starring in dog commercials, is hilarious.

Paddington 2

Paddington 2 is the sequel to the hugely successful 2014 Paddington – a worldwide hit and the most successful non-US family film of all time.

Based on the children’s books written by Michael Bond, Paddington 2 is a fitting tribute to Bond who passed away this year aged 91.

Producer David Heyman has re-united the Paddington team with Paul King at the forefront as director and co-writer – and they’ve all brought their A-game.

From the delightful costumes from designer Lindy Hemming (seriously, I spent half the movie laughing at Phoenix-the-villain’s outfits, socks pulled to knees over breeches included) to the intricacies of the set surprising and clever (production designer Gary Williamson) reminiscent of the Harry Potter movies but with the bright lights of a carnival and a jail shown like a stage set with the jungle of Peru growing through the floor boards.

And of course, Paddington – the texture of his fur making him appear so realistic.Paddington 2

Yet, the story did have glaring holes with the movie about Paddington unjustly being incarcerated for stealing a pop-up book from an antique store for 10 years…

But this is a kid’s movie and when the pop-up book rises to fill the screen and to have Paddington running through the scenes of the book’s pages, any thought of unreality is overwhelmed with wonder.

And there’re some beautiful characters here – the film isn’t all about Paddington.

There’s Knuckles McGinty (Brendan Gleeson a personal favourite actor of mine), the shaggy dog, the Brown family and the neighbours living on the same street who all have their own story, used not just as a backstory for Paddington, but to also circle back into the film making each character worthwhile and needed giving that satisfying feeling of completeness while adding a layer to the themes of acceptance and finding the good in everyone you meet.

I’m still grinning replaying the moments, even if I’m not a fan of marmalade.

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