Top 10 Films for 2016

It’s a mixed bag of top 10 films this year, with a top-heavy favourtism for the thriller!  From the funny-sweet, Hunt for the Wilderpeople to the ultimate crime thriller, Sicario *

I have to say the biggest stand-out for 2016: Director Denis Villeneuve.  More Denis, we want more!

10. Hunt for the Wilderpeople

Coming in at number 10 is the New Zealander Comedy / Drama that stole the world’s heart: tongue-in-cheek and heartfelt where the characters are able to take a laugh at themselves ‘cause it’s all heart bro.

9. Pawno

At number 9 is a local Drama based on a day-in-a-life in the Melbourne suburb of Footscray.

It would have been easy to get bogged down in the melancholy, but there’s humour here, the focus on the good: a poem written to a beautiful girl in a bookshop, drummers tapping out a heartbeat with the dance of a local in appreciation, the expression of graffiti and the love of a dog.

Pawno shows life in all its complications with the simplicity of a leaky kettle or a favourite mug.

8. The Revenant

Where Leonardo Di Caprio finally won his first Oscar, and for good reason.

There is a real authenticity here, thanks to Di Caprio, but director, Alejandro has given the film something almost mystical. Nature untouched, is a bit like magic. The Native Americans believed in the will of the trees and the wind, and I think Alejandro managed to capture some of this magic. Not an easy feat and worth watching.

7. Arrival

My favourite director of this year Denis Villeneuve has given his Midas touch to a film that really could have fallen flat.  The insight Villeneuve has managed to show of Dr. Bank’s character is astounding.  If only for this aspect, I enjoyed the film.  Then combine the incredible story, soundtrack and pace with that extra flavour that makes the characters so believable, you’ve got a winning film.

6. Life, Animated

I can understand how this documentary, directed and produced by Roger Ross Williams, has won so many audience awards: Telluride Mountainfilm Festival, San Francisco International Film Festival, Full Frame Film Festival and the list goes on…

I laughed, I cried, I smiled and I learnt something not only about Owen and his battle with autism, I also found an opportunity to reflect on my own life journey.

5. Mustang

Set in Inebolu, a Black Sea village 600 kilometres from Istanbul, Mustang is about the freedom of five young sisters with wild hair trailing down their backs, with a glance and an innocent smile that can lead to so much trouble.

As her first feature film, Deniz Gamze Erguven has given us a story that feels like it should already have been told, and I congratulate this fresh view of life that is usually hidden behind closed doors.

4. The Conjuring 2

Director James Wan is genius in his use of not only the soundtrack, but also the trickery of shadows, slips in time, old toys; a focus on the eyes or a terrifying portrait brought to life.  Seemingly simple devises, but used so well.

There’s a journey here.  An invitation to take hold of a hand  – a, Gotcha, then I’ll let you go a bit… then, I gotcha againThis time, I gotcha good.

3. Triple 9

I liked this film because it went beyond all expectations. The story just kept unfolding to its bloody conclusion. I couldn’t look away: cringing, gasping, hoping and ultimately smiling contently at a well thought-out conclusion.  Love a good crime thriller!

 

2. The Hateful Eight

There’s not a lot of action here. But the dialogue between the characters is hugely entertaining. The depth of thought put into the characters: Samuel L. Jackson as Major Marquis Warren, Walton Goggins as Sheriff Chris Mannix and Jennifer Jason Leigh as Daisy Domergue was particularly impressive.  And the not so subtle gallows humour and O. B’s bad luck is gloriously funny.  I had a ball watching this film – good fun!

  1. Sicario

I couldn’t fault this film.  The story, characters, soundtrack, cinematography and editing all combined to create tension and to keep the audience guessing.

If the violence didn’t add to the story, then it wasn’t included. Clever devises used by director Denis Villeneuve used the imagination of the audience to piece the action together giving this film it’s true brilliance.  If you haven’t already, watch this film!  You’re in for a real treat.

* I know, I know, Sicario was released end of 2015, and I do ask for poetic license being my first ‘best of the year’ list for the website.  Being my first reviewed film to earn 5 stars, I couldn’t resist Sicario, at the top, in all its crowning crime-thriller glory.

Hunt for the Wilderpeople

PGHunt For The Wilderpeople

Director: Taika Waititi

Based on the book: ‘Wild Pork and Watercress’, written by Barry Crump

Cast: Sam Neill, Julian Dennison, Rhys Darby, Rima Te Wiata, Rachel House, Oscar Kightley, Tioreore Ngatai-Melbourne, Troy Kingi, Cohen Holloway, Stan Walker, Mike Minogue, Hamish Parkinson, Lloyd Scott.

Hunt for the Wilderpeople is tongue-in-cheek and heartfelt where the characters are able to take a laugh at themselves ‘cause it’s all heart bro.

There are some familiar faces here – a solid performance from Sam Neill (Jurassic Park (1993, 2001), Peaky Blinders (since 2013), The Piano (1993)) as the reluctant crusty ‘uncle’, Hec Faulkner; Rachel House (Whale Rider (2002); Boy (2010)) as Paula, the overzealous welfare worker and Rhys Darby (Flight of the Conchords (2007-2009); What We Do in the Shadows (2014)) as the ‘bushman’, Psycho Sam.

But the standout for me was Julian Dennison (Paper Plans (2014)) all of 13 years old, as Ricky Baker.  This kid has talent, so-much-so, I couldn’t imagine anyone else playing the wanna-be-gangsta, Ricky.

I love hot water bottles (particularly now it’s getting to winter here), I love dogs, love the bush and aunties with cats on their jumpers.  And I love how this movie was about a foster kid trying to find his way and how an old crusty character can warm to a kid who’s his own person just like him.

There’s a poetry in the camera work (cinematographer, Lachlan Milne) – this is beautiful scenery of green bushland taken from up high, then down to running waterfalls, lakes mirroring an orange sky to the mud and rain of the bush; locations including Piha, Karekare, Bethells Beach, Horopito and the Kaimanawa Plains.

A lot of thought was put into the scenes, the director Taika Waititi (Boy, Eagle vs Shark, What We Do in the Shadows) waving his magic touch with the shadows of leaves on the car windscreen; the silhouette of fence posts in the dusk, balanced with the authentic flavour of performance, without too much polish and keeping a tight rein on the editing (Luke Haigh).

A film where the characters felt real, if not caricature in nature: you’re bound to meet one in the bush or down the street in New Zealand.  And that’s the point of difference with this film: a New Zealander flavour of the bush with cold and beauty combined with character.

Look, some of the humour was a bit cheap, more for the kids or young at heart.  But this was just a few jokes – mostly I was smiling with a sometimes tear in the eye.

Hunt for the Wilderpeople makes you want to love people for who they are, not who they’re supposed to be.

Sometimes a stray gets found and given a home.  Sometimes the ones who are lost and unloved can be found, only to run away in the bush and get lost and then become a gangsta running from the cops, yo.

What can I say, one of my favourite Leonard Cohen songs (The Partisan) was part of the soundtrack, so yes I admit this film got under the skin.

One of those funny ones that make you cry a bit because it’s also sweet.

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