Ambulance

Rated: MA15+Ambulance

Directed by: Michael Bay

Produced by: Michael Bay, Bradley J. Fischer, James Vanderbilt, William Sherak, Ian Bryce

Screenplay by: Chris Fedak, based on the original story and screenplay for the 2005 Danish film Ambulancen by Laurits Munch-Petersen and Lars Andreas Pederen

Starring: Jake Gyllenhaal, Yahya Abdul-Mateen II, Eiza González.

‘We’re a locomotive, we don’t stop.’

Danny (Jake Gyllenhaal) and his brother Will (Yahya Abdul-Mateen II) are escaping a bank robbery gone wrong in an ambulance.

They have two hostages, an EMT (Eiza González) and a shot cop needing emergency surgery.

It’s a Michael Bay action movie.

And I don’t necessarily mean that in a bad way.

But some of the storyline, like the emergency surgery conducted by Cam the EMT in the back of the ambulance with instruction via Face Chat from surgeons taking a break from playing golf, pushed the storyline to the ridiculous making the cast have to work really hard to make the film believable enough to be watchable.

Yes, it’s a classic action film, with some awkward humour that rarely hit the mark, and yet being a classic action the light-hearted crazy from bad-brother Danny complimented the high-speed chases as the two brother are chased across LA by choppers and souped-up cop cars all to a soundtrack that just kept revving faster and faster.

It’s a quintessential LA setting with graffiti, and rubbish-strewn streets; the city lights and mesmerising, layered highways.  Ambulance is about two brothers growing up in LA, one who follows in his father’s footsteps, a well-known robber with a reputation of being psychotic, the other brother choosing a different life, to become a marine.

So there’s a back-story to the brothers’ relationship that keeps up the drama; Will doing right but right doesn’t pay for his wife’s desperately needed surgery.  So when he asks his wayward brother for money, it’s a matter of Will having to help him pull off a $32 million bank heist to get it.

And Danny can be very convincing.

Then there’s the EMT Cam – she can keep anyone alive for 20 minutes, but no one wants to be her partner.

One of the highlights of the film is Cam mystified seeing the two brothers singing the 80s classic, Sailing, while trying to relax mid-escape.

There’s a lot of tongue-in-cheek humour mixed with flashbacks to childhood montages with emotive music that kinda worked.  But what really worked in this film was the awe-inspiring camerawork that had the action spinning around to fly straight up into the air.

Really, the car chases and explosions are next level.

So medical procedures, high speed car chases and strange humour that had me scratching my head, like – ‘what did you do to my legs?!’ asks one robber after his legs are twisted the wrong way after being run over.

But overall, Ambulance is worth a watch just for those high-speed action shots.

The Sisters Brothers

Rated: MA15+The Sisters Brothers

Directed and Created by: Jacques Audiard

Based on the Book Written by: Patrick DeWitt

Screenplay Written by: Jacques Audiard, Thomas Bidegain

Produced by: Alison Dickey, Michael De Luca, Pascal Caucheteux, Michel Merkt, Megan Ellison, Gregoire Sorlat, John C. Reilly

Starring: John C. Reilly, Joaquin Phoenix, Jake Gyllenhaal, Riz Ahmed, Rutget Hauer, Carol Kane, Rebecca Root.

Set in America, circa 1851, guns-for-hire, The Sisters brothers, Eli (John C. Reilly) and Charlie Sisters (Joaquin Phoenix) work on the request of The Commodore (Rutger Hauer).

The brothers are sent to rob, track and kill – if necessary, or if it’s just easier – Riz Ahmed (Hermann Kermit Warm).  A man who has created a formula to find gold.

The killing doesn’t seem to be personal with the Sisters brothers.  For the brothers, it’s just life.

But Riz believes life is worth examining; and a life worth examining, is a life worth writing about.

We see Riz hurl his hat at a chicken, to see the bird captured underneath.  All the while observed by another tracker, the subtle John Morris (Jake Gyllenhaal) hired to find the chemist and keep him in place until the Sisters arrive – a bit like the chicken under the hat, l guess.

Morris also thinks about life.

When tracker Morris and the chemist, Riz meet, it’s like a meeting of the minds.

But as is the nature of this film, there’s duplicity; the lying to one’s self to not be afflicted by gold fever but to want to create a better society by panning for gold.

That’s what Riz writes about.  He wants to create a better society.

And because he’s found a formula that separates gold from water, a chemistry that makes the gold glow, the Sisters brothers have been sent to find him.

The use of light is the common threat used by director Jacques Audiard to piece one scene to the other, one thought to the next; from the light reflected from stolen pearls hanging from a saddle bag to the sun reflected off a snowy mountain.

There’s nothing electric here, only fire light, candle light, sunlight. Yet the film doesn’t dwell on being set in the 1800s. This is more a story of character.

Based on the book written by Patrick DeWitt, we get this intricate thread of people just being who they are: killers, brothers, chemists, intellects.  The truth of each character is revealed by circumstance; to convey the subtleties that show a killer to be too nice for a whore, for a drunk to have ambition, a philosopher to have greed.

There’s so much to think about with this film, I’m still unpacking as I’m writing.

We get moments captured in fevered dreams; the nightmares that cry out, the one crying out only to laugh at the helping hand to lighten the idea of safety as the brothers sleep at night, hand on revolver.

It’s incredibly subtle, the quiet touch behind the powerful performances made it feel like no performance at all.

I was particularly impressed with John C. Reilly as Eli Sisters.  There’s something genuinely adorable about this guy.

To have layers peeled back from this character, Eli, was the drive behind this intricate film.

Superficially, this is a Western, a classic tale of two bad guys going after the man who’s found the secret to finding gold.  But underneath all the killing and gold fever is a delicate tale of humanity.

Subscribe to GoMovieReviews
Enter your email address for notification of new reviews - it's free!

 

Subscribe!