Solo: A Star Wars Story

Rated: MSolo: A Star Wars Story

Directed by: Ron Howard

Screenplay by: Jonathan Kasdan, Lawrence Kasdan (based on characters created by George Lucas)

Produced by: Kathleen Kennedy, Jonathan Kasdan, Simon Emanuel

Executive Producers: Lawrence Kasdan, Phil Lord, Chris Miller, Jason McGatlin, Allison Shearmur

Starring: Alden Ehrenreich, Woody Harrelson, Emilia Clarke, Donald Glover, Joonas Suotamo, Paul Bettany, Thandie Newton, Phoebe Waller-Bridge.

A curious mixture of science fiction, criminal underworld and western, Solo: A Star Wars Story forsakes the Force in favour of creating classic gunslinger imagery and hero myth-building. It’s a movie that is well made, mildly entertaining and impressively acted without being memorable or thrilling, yet hard core Star Wars won’t be totally disappointed because a lot of throwaway lines from the original trilogy are explored or explained.

Many fans will be interested to find out how Han became the swaggering, cocky, gifted pilot who befriended Luke Skywalker and wooed a prickly Princess Leia. He is cynical but secretly a push-over for a worthy cause, and once visited the Spice Mines on Kessel. But what else do we get from this stand-alone entry in the Star Wars saga?

By conscientiously ticking off a number of boxes to ensure no serious fan will be disappointed, the film loses the spontaneity it needs. So while we learn more about Han’s misspent childhood and youth on Corellia, how he became a smuggler, befriended Chewbacca (a Wookiee who would become his best friend), completed the Kessel Run in 12 parsecs (beating the original record of 20 parsecs – despite parsecs being a measurement of length not time!), how he acquired the Millennium Falcon, it all seems a bit pedestrian, faithfully following a list of must haves. None of these elements are big surprises and in fairness they’ve probably been included because of fans’ expectations. But obviously non-Star Wars audiences need to be entertained as well, which is achieved to some degree by using the premise of a dangerous mission, exotic locations and encounters with various enemies, but this doesn’t necessarily translate to an exhilarating ride.

This film’s lacklustre box office returns may be the result of fan burn-out following The Last Jedi, rather than the troubled production history when Ron Howard took over from directing duo Phil Lord and Chris Miller (The Lego Movie), towards the end of filming. Howard re-shot over 70 per cent of the film, thus earning him a solo (!) directing credit (while Lord and Miller earned executive producer credits instead). It’s hard to know what kind of movie might have resulted from the original duo’s dabbling in improvisation and departures from the script, but there is scuttle-butt that their irreverence for the subject matter displeased studio bosses. Despite this, there are still lots of humorous situations and amusing dialogue peppered throughout, enough to raise a few laughs.

The original directors wanted a darker, murkier look (similar to the Batman versus Superman franchise), especially in the earlier scenes set on the criminal world of Corellia. There are several technically well produced but unnecessarily dragged out action sequences that basically just add a lot of length to the running time. We do see how good Han is as a pilot, someone who doesn’t like to be told the odds, and seldom listens to wiser voices. An older smuggler (Woody Harrelson) offers the sage advice, “Assume everyone will betray you and you will never be disappointed,” which Han predictably ignores, ironic given the number of double and triple crosses that occur. Alden Ehrenreich as the young Han is resilient and suitably cocky, but lacks the cynical edge Harrison Ford brought to the role. Donald Glover as the younger Lando is great fun and a dapper dresser, while the best snappy dialogue goes to his droid sidekick L3-37, played by snooty-voiced Phoebe Waller-Bridge. One cameo late in the film fairly much screams “Sequel!” so it will be interesting to see if the less than impressive ticket sales will merit a follow-up movie.

If you are a die-hard Star Wars fan you will probably want to see this latest entry out of curiosity, but non-Star Wars audiences may wonder what all the fuss is about, or opt to see the latest Deadpool outing instead.

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Star Wars: The Last Jedi

Rated: MStar Wars: The Last Jedi

Directed by: Rian Johnson

Written by: Rian Johnson

Based on Characters Created by: George Lucas

Music by: John Williams

Cinematography by: Steve Yedlin

Starring: Mark Hamill, Carrie Fisher, Adam Driver, Daisy Ridley, John Boyega, Oscar Isaac, Andy Serkis, Lupita Nyong’o, Domhnall Gleeson, Anthony Daniels, Gwendoline Christie, Kelly Marie Tran, Laura Dern, Benicio Del Toro, Frank Oz, Billie Laurd, Joonas Suotamo, Amanda Lawrence, Jimmy Vee, Brian Herring and Dave Chapman.  

A long time ago, in a galaxy far, far away, there was the best episode of Star Wars made to date…

Star Wars: The Last Jedi (Episode VIII) is epic people!

This film has everything: fantasy, drama and conflict and betrayal and action with lightsaber fights that last just long enough…

And I was surprisingly emotional through-out the film with General (Princess) Leia Organa (Carrie Fisher) filmed and thankfully not animated so she looked so real and so there.

It was such a pleasure to see Carrie Fisher up on the big screen for the final time… See what I mean about emotional?!Star Wars: The Last Jedi

Director and writer, Rian Johnson has spent a lot of time getting the detail of the story right.  There’s new characters mixed with old that keep the story interesting with the familiar and the excitement of seeing new critters adding to the lightness and wonder of this visual story.

Rian Johnson also wrote and directed, Looper (2012) and has brought that same attention to the script here, revealing layer upon layer of story to take the audience on a journey totally unexpected.

And I liked how the film was set both in space and on land – the effects of space fantastic on the big screen and the grounding of seeing the ocean crash into rocks and the salty sand of the desert kicking up red dust visually surprising.Star Wars: The Last Jedi

The island where the previous episode, The Force Awakens, leaves us with Luke Skywalker (Mark Hamill) is expanded upon, the thought put into the vastness of the landscape impressive with new sea creatures and those cute Porgs (that look like a cross between a penguin and a puffin) alongside old favourites like Chewbacca.

This episode sees the story unfold around the never ceasing Resistance as they fight The First Order led by Supreme Leader, Snoke (Andy Serkis) as he takes hold of the universe.  The final threads of the Resistance making that final last stand with Rey (Daisy Ridley) seeking the return of the equally resistant Luke Skywalker hiding on his island after losing all faith when his student and best friend and sister’s son, Kylo Ren (Adam Driver) turns to the Dark Side.Star Wars: The Last Jedi

Adam Driver has really grown into his role as Kylo Ren (the highlight for me) – the film taking time to explore this new character, making him as deep and fascinating as Darth Vader.

But like life, there’s dark and there’s light.  There’s good and bad in everyone – the conflict of the Force in Luke and Rey and Kylo adding to an otherwise action and suspenseful film.

And, for me, the most suspenseful Star Wars so far.

The Last Jedi is a further exploration into the Dark Side giving this episode a sharper edge and depth – the fantasy element making the story more griping and thought-provoking than the usual Sci-Fi weight of the previous instalments.

And the timing of the story was perfect.  The twists in the tale, many.

Prepare for an epic experience: it’s a long one (2h 33m) but well worth the journey.

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