Hellboy

Rated: R18+Hellboy

Directed by: Neil Marshall

Screenplay by: Andrew Cosby

Based on: the Dark Horse Comic Book, “Hellboy” Created by Mike Mignola

Produced by: Lawrence Gordon, Lloyd Levin, Mike Richardson, Philip Westgren, Carl Hampe, Matt O’Toole, Les Weldon, Yariv Lerner

Starring: David Harbour, Milla Jovovich, Ian McShane, Sasha Lane and Daniel Dae Kim.

This is the third instalment of Hellboy, a franchise based on the comics created by Mike Mignola.

Here, we have a new Hellboy and before the screening, I wondered how David Harbour (known for his starring role as Police Chief Jim Hopper on the hit Netflix series “Stranger Things”) was going to fill the iconic role previously played by Ron Perlman.

Without issue, we get that same dry delivery of one-liners like, ‘Hellboy?  No, it’s Josh.  People mix us up all the time.’  He says, drool rolling out his drunken mouth.

What I’ve always enjoyed about the Hellboy films are the incredible effects.  This re-boot is all what the previous films delivered, and more.

Opening on a scene of black and white, we’re introduced to the appropriately named Nimue, The Blood Queen (Milla Jovovich), her red cape the only colour to be seen in the foreground of an ancient tree.

This splash of red is a good indicator of what’s to come – when I say bloody, I mean that visceral, bloody flying through the air with bits of brain and bone, the marrow of people sucked out by giants, limbs torn off monks by a pigman and children eaten by witches.

Hellboy number three is rated R for a reason.

So yes, it’s gory.  But jez, it really is a LOT of fun.

This is a story of Hellboy’s true nature, and why he was brought into this world.

He’s never fit in, looking like the devil himself.  Breaking off his horns doesn’t hide his demonic appearance.  Hellboy admits his, ‘Therapist says I rely on jokes to normalise.’

This is his weakness.  He’s a monster living in a world of people who hate and kill monsters.  And have hunted monsters for centuries.

You can only have people try to kill you so many times before it gets personal.

The Blood Queen understands this.  She’s a monster too.

Bringing Hellboy to her side, to become King would mean the end of the world: the apocalypse.

Starting again, to re-build Eve together; to bring the monsters out of the shadows, doesn’t sound so bad.

So does Hellboy give in to his true nature?  Or does he side with the ones he loves, his adopted father, Professor Trevor “Broom” Bruttenholm (Ian McShane) and friend Alice Monaghan (Sasha Lane), whose life he saved when she was a baby?

The script is a collaboration between the creator Mignola and Andrew Cosby.

“It was important for us, and for the fans as well, to really stick to the roots and origins of Hellboy,” says producer Les Weldon. “No one wants somebody else’s Hellboy — they want Mike’s…”

And it’s one hell of a ride with non-stop action as giants and demons and witches and humans are fought with constant asides from Hellboy to break the, at times, intense tension and scary bits.

There’re monsters that reminded me of the demons from Hellraiser.

Talking of monster’s, we also get the character B.P.R.D. Team commander Major Ben Daimio (Daniel Dae Kim) adding another dimension to the film.  He’s a conflicted ex-soldier-turned-agent also from the Mignolaverse but has never been on the same page as Hellboy.

So bloody and scary, yes.  But then we’ll get Hellboy asking how a terrifying, one-eyed, wooden-legged witch can have hair on her tongue.

And a moth escaping from a cave, deep underground, rising, into the air, high above, only to be eaten by a raven.

We smoothly segue from one entertaining scene to the next that’s both visually stunning and brutally absorbing.

A worthy re-boot that blurs the line between horror and action.

Hearts Beat Loud

Rated: PGHearts Beat Loud

Directed by: Brett Haley

Co-Written by: Brett Haley, Marc Basch

Produced by: Houston King, Sam Bisbee, Sam Slater

Original Songs/Music: Keegan Dewitt

Starring: Nick Offerman, Kiersey Clemons, Ted Danson, Toni Collette, Sasha Lane, Blyth Danner.

 

Hearts Beat Loud is one of those films that can really go either way – a father and daughter who write songs and play together in a band?!  Cheesy!

But when I saw Nick Offerman was starring, I knew I was in for a treat.

Featuring the original songs and music by Keegan Dewitt, there’s an indie flavour as one-time musician and record shop owner Frank plays melody on guitar while his daughter, Sam sings and plays keyboard.

When they record a song and Frank uploads the track to Spotify, suddenly becoming a band for real is now a possibility when their song is selected to be part of the ‘New Indie Mix’, reaching thousands of listeners – a success at a time when Frank’s future at the record store looks bleak while Sam’s about to leave to study Pre-Med at college.

Director Brett Haley wanted to make a musical where the songs are grounded in real-life situations, so it’s not narrative made of song but rather the music being a mode of communication.

Rather than an awful saccharine musical, the soundtrack makes the film work because the music is gold.  As Frank (Nick Offerman) says of Sam’s (Kiersey Clemons) song and hook for the film, Hearts Beat Loud, ‘it just has to have a feeling – this has feeling’.

Sure, OK, it does get a bit cheesy near the end with enthusiasm as ‘We’re Not A Band’ plays their first ever performance… But I was already pretty emotional by that stage with Frank’s store, Red Hook Records about to close and seeing him struggle with a resistive teen daughter on his own and an ailing mother Marianne (Blyth Danner) and the acceptance of what will never be…

And there’s some gems here like Frank telling Sam, ‘When life hands you conundrums you turn them into art.’

It’s all very life-affirming and inventive and creative and sweet.

We see the relationship between father and daughter and their community of friends from bar-owner, Dave (Ted Danson), landlady Leslie (Toni Collette) and Sam’s girlfriend Rose (Sasha Lane) all part of the growing process of father and daughter as they look to their next stage in life while remaining close.

It’s an accepting, bitter-sweet story that had me, I admit, crying happy tears because it’s hard to move on and grow and change.  But it’s also healthy and good.

Director and co-writer Brett Haley states, ‘Given the level of anxiety in the world right now, it was very important to make a film that makes people feel good, and that reminds people of the simple goodness in the world and in ordinary life.’

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