Child’s Play

Rated: MA15+Child's Play

Directed by: Lars Klevberg

Screenplay by: Tyler Burton Smith

Produced by: Seth Grahame-Smith and David Katzenberg

Executive Producer: Chris Ferguson

Starring: Gabriel Bateman, Aubrey Plaza, Brian Tyree Henry and Mark Hamill as the voice of Chucky.

‘Are we having fun yet?’

‘I guess.’

‘Yay!’

Child’s Play (1988) is a classic horror movie I remember watching when I was about twelve-years old.

I remember it was about a doll and it was scary; and I remember cringing and trying to get to sleep after seeing feet hanging out the end of a bed getting sliced by a knife.

So, I knew I was waking into a movie about a killer doll. But was somehow surprised by the horror, meaty horror at that, where the writing and the performance of single mom Karen (Aubrey Plaza) and son Andy (Gabriel Bateman) suspended reality enough to get a decent scare going when this life-like Buddi doll, doesn’t get possessed or start off being evil, but becomes a serial killer by mimicking what people do; by doing what he thinks his best buddy Andy wants him to do.

Afterall, he is a Buddi doll.

Chucky would do anything for his best mate.  Including ripping the skin off faces, hanging people, stabbing and setting up angle grinders to saw pesky people in half.

Child’s Play re-imagined manages to give a classic horror, but somewhat hard to swallow concept, a believable hook.

Here, we have ‘Chucky 2.0’ based on the technology of today – where electronics are interconnected, wireless and activated by voice command.

So all we have to believe is that Chucky is an animated doll capable of responding to commands like Siri or Alexa.

Sure there were contrived moments like a person with broken legs, bones broken through skin, still able to crawl rather than writhing in agony; and rope around a neck suddenly loosened when a body falls to the ground.  But it still kind of hung together.

And that had a lot to do with the tone of the film, director Lars Klevberg balancing the gore and horror with some dark humour that really hit the mark, like the question of why is there fruit involved?!

Just think watermelons being a similar shape to a decapitated head.

Yep, Child’s Play is gory and funny with Mark Hamill voicing the evil doll that is Chucky, surprisingly effective on so many levels – childhood, Star Wars, evil doll.  Why not?  If the voice fits.

There’s enough essence of Chucky-the-original to keep fans happy, while the fresh take lifts the original concept somewhere the audience can laugh with and not at – a close call for me at the beginning of the film, saved by the wry performance of Aubrey Plaza and the likable Brian Tyree Henry as Detective Mike who lives down the hall.

Pride and Prejudice and Zombies

Pride and Prejudice and ZombiesGoMovieReviews Rating: ★★★☆ (3.8/5)

Rated: MA15+

Screenplay and Directed by: Burr Steers

Based on: Pride and Prejudice and Zombies by Seth Grahame- Smith

Starring: Lily James, Sam Riley, Jack Huston, Bella Heathcote Douglas Booth, Matt Smith, Charles Dance; Lena Headey.

Not just another Zombie movie.

With lacy knickers and knives sheathed in garters, I really thought I was in for some trash with this one. But I have to say, I was pleasantly surprised.

Without being overdone, Pride and Prejudice and Zombies is funny for the right reasons: a playful parody that manages to portray a successful story-line about the undead (AKA zombies) running rampart in 19th century England.

Based on Seth Grahame-Smith’s novel (Pride and Prejudice and Zombies), the undead have infected the population and the ladies have been taught martial arts and weaponry in order to save themselves from joining the undeads’ ranks. This is where period costuming meets martial arts.

With the focus on the Bennets’ daughters, the mother (Sandy Phillips) is determined to marry her daughters off to the richest men available.

There’s dancing at balls and wine being drunk; eye patches (for function not fashion), and all the skullduggery of finding love. But the story went further than the visual sensors and added a few more layers to the characters, and more meat (ha, ha) to the story. This was more about the Jane Austin 19th century sensibilities than the gore of yet another mindless Zombie movie. And this made for a better story-line.

There is much wit and humour sprinkled with occasional change in camera view: a hand reaching for a strangle hold or the rotting flesh of a zombie’s face.

The acting and dialogue was yes, once again, surprisingly good. The budding romance between Mr Darcy (Sam Riley) and Elizabeth Bennet (Lily James) was believable and rather sweet.

What I liked most about the film was the humour from Mr Collins (Matt Smith), making the most of the parody of English dignified politeness amongst the chaos of the walking dead, liable to walk in at any moment, ‘But pass the scones’, in the mean-time, ‘With a nice cup of tea’.

Being such a silly convention, I don’t think anyone is expecting a life-altering experience here, but there’s some quality work and thought put into the story and the telling of the story: the soundtrack (Fernando Valázquez) adding to the cheek; the camera work (Remi Adefarasin) adding a new perspective.  And I was happy to be in the audience to enjoy the success.

 

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