The Suicide Squad

Rated: MA15+The Suicide Squad

Directed and Written by: James Gunn

Produced by: Charles Roven, Peter Safran

Starring: Margot Robbie, Idris Elba, Joel Kinnaman, John Cena, Viola Davis, Jai Courtney, Michael Rooker, Flula Borg, David Dastmalchian and Taika Waititi.

‘Is that rat waving at me?’

The opening scene sees the death of a pretty yellow bird.

Birds feature a lot in, The Suicide Squad mark II.

To the extent I was wondering by the end – what’s with the birds?!  Is it because they represent freedom?  Could be something in that, the squad been given a chance at freedom, etc.

Like the first film, potential members of Task Force X are found languishing in Belle Reve: the prison with the highest mortality rate in America.

Languishing until Amanda Waller (Viola Davis) offers them a deal they can’t refuse: 10 years off their sentence in hell.  Or for those not tempted by the reduced sentence, the promise not to incarcerate a ten-year-old daughter (Storm Reid) that would more than likely mean death.

Sent on another impossible bloody mission, this time to the jungle of Corto Maltese, there’s the same antics from characters such as Captain Boomerang (Michael Rooker) with a whole new cast of villains with unique skills like: Peacemaker (John Cena) who loves to walk around in his y-fronts, Bloodsport (Idris Elba) who really does not get along with Peacemaker, King Shark (Sylvester Stallone)  – apparently a god who now has a taste for human and amongst other new characters, Polka-Dot (David Dastmalchian): the man has issues.  With leader Colonel Rick Flag (Joel Kinnaman) back to direct the chaos.

The film has the same foundation as the first instalment, a squad of anti-heroes sent on a covert mission by the government – but way more extreme.

There’s still that manic fun tone, with the likes of Harley Quinn (Margot Robbie) shooting her way to freedom with a demented smile, but I don’t remember the first instalment being so brutal.

Not that nasty is necessarily a bad thing.

I’m a big fan of gallows humour, and there were a lot of funny moments that tickled, sometimes unexpectedly like seeing the back view of Milton (Julio Cesar Ruiz), the bus driver, as he runs after the squad to ‘help out’ in his shorts and Crocs.

And making light of a trained rat, friend of Ratcatcher 2 (Daniela Melchior), 2 because the first Ratcatcher was her father (Taika Waititi, yep Taika’s in it!):

‘Is that rat waving at me?

‘It appears it is’

…’Why?’

But sometimes the humour was just that bit too off-kilter – see above about the birds.

It was about 50/50 for me.  But when the humour hit, it tickled A LOT.

The narrative goes back and forth in time, highlighted by the inclusion of text in scene – leaves falling to write, ‘Now’.

There’s more clever with relief from the blood and guts when blood’s replaced with an explosion of flowers.

And that blending of scene continues with music played in the bus becoming the soundtrack, the, Pixies track, ‘Hey’ backing the squad as they walk into their next suicide mission.  Gold.

The attention to detail is impressive as director James Gunn pushes the boundaries so the humour’s darker, the violence more bloody, with an added extra tilt towards the demented.

Tending towards horror and comedy rather than action, there’s a lot of entertainment here but brace yourself, it gets twisted.

Hunt for the Wilderpeople

PGHunt For The Wilderpeople

Director: Taika Waititi

Based on the book: ‘Wild Pork and Watercress’, written by Barry Crump

Cast: Sam Neill, Julian Dennison, Rhys Darby, Rima Te Wiata, Rachel House, Oscar Kightley, Tioreore Ngatai-Melbourne, Troy Kingi, Cohen Holloway, Stan Walker, Mike Minogue, Hamish Parkinson, Lloyd Scott.

Hunt for the Wilderpeople is tongue-in-cheek and heartfelt where the characters are able to take a laugh at themselves ‘cause it’s all heart bro.

There are some familiar faces here – a solid performance from Sam Neill (Jurassic Park (1993, 2001), Peaky Blinders (since 2013), The Piano (1993)) as the reluctant crusty ‘uncle’, Hec Faulkner; Rachel House (Whale Rider (2002); Boy (2010)) as Paula, the overzealous welfare worker and Rhys Darby (Flight of the Conchords (2007-2009); What We Do in the Shadows (2014)) as the ‘bushman’, Psycho Sam.

But the standout for me was Julian Dennison (Paper Plans (2014)) all of 13 years old, as Ricky Baker.  This kid has talent, so-much-so, I couldn’t imagine anyone else playing the wanna-be-gangsta, Ricky.

I love hot water bottles (particularly now it’s getting to winter here), I love dogs, love the bush and aunties with cats on their jumpers.  And I love how this movie was about a foster kid trying to find his way and how an old crusty character can warm to a kid who’s his own person just like him.

There’s a poetry in the camera work (cinematographer, Lachlan Milne) – this is beautiful scenery of green bushland taken from up high, then down to running waterfalls, lakes mirroring an orange sky to the mud and rain of the bush; locations including Piha, Karekare, Bethells Beach, Horopito and the Kaimanawa Plains.

A lot of thought was put into the scenes, the director Taika Waititi (Boy, Eagle vs Shark, What We Do in the Shadows) waving his magic touch with the shadows of leaves on the car windscreen; the silhouette of fence posts in the dusk, balanced with the authentic flavour of performance, without too much polish and keeping a tight rein on the editing (Luke Haigh).

A film where the characters felt real, if not caricature in nature: you’re bound to meet one in the bush or down the street in New Zealand.  And that’s the point of difference with this film: a New Zealander flavour of the bush with cold and beauty combined with character.

Look, some of the humour was a bit cheap, more for the kids or young at heart.  But this was just a few jokes – mostly I was smiling with a sometimes tear in the eye.

Hunt for the Wilderpeople makes you want to love people for who they are, not who they’re supposed to be.

Sometimes a stray gets found and given a home.  Sometimes the ones who are lost and unloved can be found, only to run away in the bush and get lost and then become a gangsta running from the cops, yo.

What can I say, one of my favourite Leonard Cohen songs (The Partisan) was part of the soundtrack, so yes I admit this film got under the skin.

One of those funny ones that make you cry a bit because it’s also sweet.

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