Voyagers

Rated: MA15+Voyagers

Directed and Written by: Neil Burger

Produced by: Basil Twanyk, Neil Burger, Brendon Boyea

Starring: Tye Sheridan, Lily-Rose Depp, Fionn Whitehead, Chante Adams, Isaac Hempstead Wright, Viveik Kalra, Archie Madekwe, Quintessa Swindell, Madison Hu and Colin Farell.

“I’m scared.”  “Of what?”  “I don’t know”.

It’s 2063.

Life on Earth is deteriorating with ongoing drought and famine.

The only hope for humanity is light-years away – two generations away.

Where populating a new world means creating a class of humans that can tolerate living in close quarters, without sunlight or interaction with any other humans except the thirty crew sent into space.  And Richard (Colin Farrell).

Richard has educated and raised the crew destined to live on the spaceship, HUMANTUS.

If he goes with them, he can at least try to protect them.

“Protect us from what?”

Voyagers is about that scary idea of what is truly human nature.  Without rules, it’s the rule of the jungle (or space?).

So what happens to a group of teenagers when their chemical restraint is lifted?

What happens when impulse takes over, never having learned to control all those basic human desires and drives to survive?

I admit to being in a cynical mood walking into this film, and the intended message of enlightenment because of all those extra layers of grey matter eventually making sense over the kill or be killed instinct had the potential of feeling like an overdone premise.

Having said that, it was interesting to watch the handling of that survival instinct from writer and director, Neil Burger (Limitless, The Illusionist), as the crew dealt with overwhelming hormones AKA getting high on life, and the drive to kill those hitting on your girl or for any slight.

It’s tense with flashes of overriding emotion depicted in montages of screaming and flesh rising in goosebumps to tunnels of blue light and the soundtrack of silence rising with disjointed strings.

It’s a theme that creates an innate fear of seeing what we are capable of, but without overdoing the horror of humans, while keeping up the intensity with a few jumps as this group of young adults figure out what it means to function as a social group.

Timely with the current generation growing up with the threat of climate change and pandemic.  Strange times.

And although I feel like I’ve seen the idea of unpacking human nature played out many times before, such as adaptation, Lord of the Flies, well, think any coming-of-age movie, there’s enough suspense to keep, Voyagers interesting.

Ready Player One

Rated: MReady Player One

Directed by: Steven Spielberg

Screenplay Written by: Zak Penn and Ernest Cline

Based on the Novel Written by: Ernest Cline

Produced by: Donald De Line, Kristie Macosko Krieger, Spielberg, and Dan Farah

Starring: Tye Sheridan, Olivia Cooke, Ben Mendelsohn, Lena Waithe, T.J. Miller, Philip Zhao, Win Morisaki, Hannah John-Kamen, Simon Pegg and Mark Rylance.

Based on the dystopian world created in the novel written by Ernest Cline, Ready Player One opens in an overpopulated Columbus, Ohio, 2045.  A place where Wade Watts (Tye Sheridan) wants to escape every chance he gets because he’s living in the Stacks… with his aunty and loser boyfriend… sleeping on top of the washing machine…

Wade thrives in the OASIS, a virtual universe where he feels alive, where as his avatar, Parzival, he has a chance to win the ultimate prize: control of OASIS.

When James Halliday (Mark Rylance), the brilliant and eccentric creator of OASIS dies, he leaves a parting gift to the world – the final game where any player can win.

Somewhere left in the game are three keys that when found lead to an Easter egg: whomever finds the egg first wins the game and control of OASIS, meaning half a trillion dollars and ultimately control of the world.

A high-stakes game that of course, has a villain: Nolan Sorrento (Ben Mendelsohn) head of operations of Innovative Online Industries, or IOI, and self-proclaimed colleague of everyone’s hero, Halliday.

To win the game is to win everything, and Sorrento plays to win with all the technology and army (AKA the Sixers) money can buy.  He’ll stop at nothing.  And against the young Wade Watts who’s all heart, it’s a David versus Goliath tale, set to an 80s soundtrack while featuring all the pop culture references associated with that time.

Ready Player One takes a new view of a classic ideal with Halliday, the old and awkward mentor that we love and admire; the want to be able to achieve anything as long as we work for it and want it bad enough; that love is there waiting for us if the time is right to take the leap; that with the help of friends (like the High Five) evil can be overcome…

Pretty cheesy stuff, and there’s a lot of those teen moments.  Yet, the struggles are hard-wired into our brain, so I couldn’t help but grin and cheer for the underdogs.

Add that action-adventure aspect with the riddles and search for keys in a computer game brought to life by three years of VFX work to get all the overwhelming detail right, you’ve got an entertaining film.

The highlight for me was the reference to Steven King’s, The Shining.  Most will find a reference to relate to; the 80s has something for everyone, but I found the scare-factor of The Shining and attention to the animation particularly impressive.  When inverted, into the ‘real world’, to laugh at the baddies getting their scare-on, it was brilliant: Stephen King, the ultimate equaliser.  There’s a reason I’m such a fan and hats-off to Spielberg for re-creating The Shining world so well.

But enough with the references ‘cause I’m grinning while I’m writing so I’ll end with: Ready Player One is a classic action adventure that felt unique by showing the past in a new light provoking a feel-good 4-star cheeky grin.

[amazon_link asins=’0307887448,1683832094′ template=’ProductGrid’ store=’gomoviereview-20′ marketplace=’US’ link_id=’07a38e98-30a0-11e8-80c0-0366f6a66833′]

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