Tag: Zoë Kravitz

Fantastic Beasts: The Crimes of Grindelwald

Rated: MFantastic Beasts: The Crimes of Grindelwald

Directed by: David Yates

Screenplay by: J. K. Rowling

Produced by: David Heyman, J. K. Rowling, Steve Kloves and Lionel Wigram

Starring: Eddie Redmayne, Katherine Waterston, Dan Fogler, Alison Sudol, Ezra Miller, Zoë Kravitz, Callum Turner, Claudia Kim, William Nadylam, Kevin Guthrie, Carmen Ejogo, Poppy Corby-Tuech, with Jude Law and Johnny Depp.

The second of five in the Fantastic Beasts series, The Crimes of Grindelwald continues in the days before Harry Potter, back to the 1920s following Magizoologist Newt (Eddie Redmayne) and his beasts (his book now published) and the powerful dark wizard Gellert Grindelwald (Johnny Depp), who was captured in the previous instalment (Fantastic Beasts and Where to Find Them) and is now held by the MACUSA (Magical Congress of the United States of America).

After six months it’s time to bring the dark wizard to court to face his crimes but during the transfer, Grindelwald explodes onto the screen, making his escape.  His mission to gather the pure bloods, to take back their freedom, for wizards to be who they really are, to rule the world and dominate the remaining No-Maj.

Grindelwald explains he doesn’t plan to kill all the No-Maj, ‘The beasts of burden will always be necessary’.

He’s mean but he makes an argument that some wizards find hard to resist.  They don’t want to hide in the shadows any longer.  They want to rule the world.

The running theme through-out the film is, It’s time to pick a side.

Which is difficult for Newt as he states, ‘I don’t pick sides.’

Professor Albus Dumbledore (Jude Law), unable to fight Grindelwald for mysterious reasons revealed in the film, calls upon Newt to find Credence Barebone (Ezra Miller), the Obscurial (a born wizard whose powers were suppressed to the point of becoming an Obscurus, a parasitical force deadly to its host, usually at a very young age) introduced in the first film.

Dumbledore knows Credence is in Paris looking for his birth mother, to find the love he desperately needs and to find his place in the world.  He needs to be found before the silver-tongued charm of Grindelwald captures his power to wield against humanity.

We see the return of Queenie (Alison Sudol) who just wants to love the No-Maj Jacob (Dan Fogler).  Tina (Katherine Waterston) returns to the MACUSA as an Auror after reading the news Newt is engaged to his old flame Leta Lestrange (Zoë Kravitz), a misprint in the gossip pages when she’s in fact engaged to his older brother Theseus (Callum Turner) – awkward!

There’s more development of characters in this instalment with some complicated entanglements as each fight for the cause, or not.

But Dumbledore knows no matter what, Newt will do what is right.

We travel from America to London to Paris, back to Hogwarts, where we see echoes of familiar characters in their younger years.

And now, in this second instalment, we start to solve some mysteries like how the Maledictus named Nagini (Claudia Kim) (now Credence’s companion) becomes the giant snake.

Rowling clarifies, “A Maledictus is someone who carries a blood curse that, over time, turns them into a beast.  They can’t stop it, they can’t turn back.  They will lose themselves…they will become the beast with everything that implies.”

And there are other, ‘Aha’ moments that I admit are starting to draw me in.

Director David Yates and screenplay writer J. K. Rowling have reunited along with the creative team so the tone and look of the film is the same with explosive moments and the amazing effects of cavernous spaces and intricate pieces falling into place and locks turning and statues moving, the bright colours of circus and blue fire to the wonderful beasts including the mischievous Niffler who now has a litter of babies.

Although I adored the critters in the first instalment, I wasn’t as drawn into the story of the film as it was more setting the foundation for the series.

Here, we see more of the mystery revealed.

I’m finding the Fantastic Beasts series more about what comes next, what piece of the puzzle is going to make that character into who they eventually become.  And slowly, I can see the story coming together.

KIN

Rated: MKIN

Director: Jonathan & Josh Baker

Screenplay: Daniel Casey

Based on: short film ‘Bag Man’ by Jonathan & Josh Baker

Produced by: Shawn Levy, Dan Cohen, Jeff Arkuss, David Gross, Jesse Shapira

Starring: Jack Reynor, Zoë Kravitz, Dennis Quaid, James Franco, Myles Truitt.

This film must have presented a challenge in terms of marketing, because while on one level it is clearly a reality-based drama about a dysfunctional family in peril, with a cross-country road trip and pursuit by a particularly unsavoury gang of criminals, it also has a puzzling science fiction component that functions almost as an afterthought. This aspect doesn’t sit smoothly within the context of loss, betrayal and growing up, not until the end when it eventually makes sense, but as if it was part of another film that somehow wondered into this one.

The directors wanted to explore the concept of family, what makes a person part of a larger group when biological connections aren’t always what cause people to stick together. At the heart of Kin is a working class family headed by a gruff widower Hal (Dennis Quaid in top form) trying to raise his adopted African-American son Eli (Myles Truitt) better than he managed with his own biological son Jimmy (Jack Raynor, balancing on a tightrope of nerves and regret), who has just been released from prison after six years. Eli isn’t coping well at school and spends most of his free time scavenging in abandoned buildings for copper pipes to sell as scrap metal. On one occasion he finds several armoured, masked bodies left behind after what looks like a very serious battle, as well as a really cool high-tech weapon that he souvenirs, not aware of its true origins.

Jimmy’s ‘family’ on the inside, meanwhile, was part of a criminal gang headed by the loathsomely evil Taylor (James Franco in a shocker of a mullet), who protected Jimmy for a steep price and who now expects full repayment of that debt. Broke, unemployed Jimmy can’t pay, of course, but hatches a desperate plan to do so, to spare his family from becoming involved. This is where the movie switches gears into a road trip across the desolate yet beautifully photographed southern states of America, with Jimmy and Eli rediscovering their connection as brothers after six years apart, while being relentlessly pursued by Taylor’s gang as well as by two mysterious, helmeted bad ass dudes on motor cycles.

This is where the science fiction aspect finally comes to the fore, having been hinted at periodically during the film, when Eli initially discovered the weapon, one which only he can operate. This weapon comes in handy during a series of increasingly irresponsible and violent acts perpetrated by Jimmy with Eli’s help. I found Jimmy’s cluelessness worrying, since despite his prison stint he doesn’t seem to have the first idea about how to lay low and keep off everyone’s radar, or take better care of his vulnerable younger brother.

There is a sequence towards the end of the film where both brothers end up in a local police station, and in many ways it plays out like a variation on a similar scene from The Terminator, right down to someone hiding under a police desk, but who can tell whether this was a deliberate homage or just coincidence.

A second viewing of Kin would probably help make a lot more sense of what is happening, and identify clues that were casually scattered throughout. The problem is that on a first viewing, the science fiction element just seemed added on, not effectively integrated into the rest of what is a very realistically presented chase drama. It’s a shame this film probably won’t find a larger audience, because those who are after a hard-core science fiction story will be frustrated by how sparingly this aspect is utilised, while those who like their dramas grittily realistic may be irritated by the seemingly randomly inserted science fiction elements.

Subscribe to GoMovieReviews
Enter your email address for notification of new reviews - it's free!

 

Subscribe!